CLOT Magazine https://validator.w3.org/feed/docs/rss2.html Artists as co-shapers of technological futures tekhnē x CLOT Magazine: Of technological agency & sonic emancipation RADIANTE LIGHT ART STUDIO, light as architecture to explore perception, space & politics of attention The Day After: Sonic Acts 2026 – Melted for Love Berlin Atonal 2025 Highlights: how a space can hold art, music, bodies & histories Unsound Kraków 2025: WEB entanglements -Highlights CLOTMix 078: Vanity Productions – ‘The sea is always the same’ GIACOMO D’ORLANDO, translating ecologies CLOTMix 079: Evol – ‘Roc’s Deep Meditation Mixtape’ Video Premiere: David Norland’s ‘E-Car Soul’, a strange place between myth, meaning & machine When we become NPCs: Trolled by Danielle Brathwaite-Shirley’s video game-based Art CAROLE COLLET, exploring biomimicry, living technologies & biomanufacturing CLOTMIX 077: JIM JANCO – Wilderness mix for Sunday School IV SANTIAGO MORILLA, what lies beneath the multispecies ecologies ‘Is There a Speaker Inside That?’ Exploring vocal machines & voice synthesis with artists Mike McShane & Benjamin Whateley Video Premiere: Aron Sanchez-Baranda for Tyler Friedman’s ‘Iljal’, sound, image & ecological research PIERRE BASTIEN,  the poetry of mechanised sound When Gothic Nature meets ecological thought: contemporary ecoGothic imaginaries UR: Human Presence, an immersive audio-visual environment in the form of a performance Curating the Present at Norient Festival 2026 About GOLDIN+SENNEBY,  art, care, ecology & the politics of diagnosis The Vital Story of Undying Darkness: Gothic Recurrence CHRYSALIS. ARTISTS IN LABS, interdisciplinary experiences at Art Laboratory Berlin Akira: A Multidisciplinary artist choosing I Ching over AI  Panel Discussion: CHRYSALIS ARTISTS IN LABS at Art Laboratory Berlin for Berlin Science Week 2025 Insight: ‘Emerging Exits’, a sensory experience in one of the largest bunkers in the Netherlands Insight: ‘Between the Layers of Petrified Silence’, making the imperceptible dimensions of our environment tangible SASHA KOJJIO, navigating the inner architecture of light & language The Severed Wing, bed-bound artist Corinne explores the meaning of theatre & performativity MIRA Digital Arts 2025, experimental visual art & sound: Highlights Oblique Futures & Diagonal Records at ICA London – Between Eye & Ear: Experiments in Audiovisual Perception  Gill Gatfield’s ‘Habeas Corpus’: Networked Resistance in Posthuman Worlds Radical Rituals for Sustainable AI: From Lab to Forum with MUTEK AI Ecologies Lab TRANSFORM25: performance as collective memory – Highlights Call for applications: MFA Art & Technology / Sound Practices at the School of the Art Institute of Chicago Insight: ‘FRAMERATE by ScanLabs – Pulse of the Earth’, planet as the storyteller SEMIBREVE festival 2025: The day after, resonant lineages Unsound Kraków 2025 – WEB: immersive listening, unwavering curation & an intangible fabric of community MILOš TRAKILOVIć, investigating the power structures underlying contemporary warfare through time-based media L.E.V. Matadero 2025: The Day After, when performance meets the machine ‘EGO in the Shell’, how artist Emi Kusano explores memory, surveillance & identity in the age of generative AI ‘Not A Word From Me’, Lucy Railton, Rebecca Salvadori & Charlie Hope on shaping perception through texture, rhythm & embodied sound Insight: Metamorph of Mihai Barabancea, Balkan simulacra in Post-Internet Eastern Bloc Swamping: On Curatorial Practices about Planetary Health & Wetlands YEHWAN SONG, crafting anti-friendly webs for a more expressive Internet OJO| |ÓLǪ́, on Eric Paul Rieges’s living weavings MATTHEW COSSLETT, highlighting the nuanced interplay between digital & physical spaces Insight: ‘8.33, Perception de l’invisible’, Jésus Baptista brings water & steel into a rare & harmonious equation at SEMIBREVE festival Home