CLOT Magazine https://validator.w3.org/feed/docs/rss2.html Against the Experiment, exploring ten years of Backslash at Cornell Tech (Part 1) Home PATRICIA CARR MORGAN, tracing memory, mortality & disappearing landscapes About Call for applications: MFA Art & Technology / Sound Practices at the School of the Art Institute of Chicago Elettrocontaminazioni Meridiane, sonic speculations on Southern Italy – a response to tekhnē’s journal Mutating Traditions Pixel Pioneers, the horizon that will not hold still tekhnē x CLOT Magazine: Abilities, Music & Tools tekhnē x CLOT Magazine: Mutating Traditions Video Premiere: ‘Mitsubishi’ by CSV, neon visions on consumption & urban decay JOHN GERRARD, dissolving borders of innocent tools CLOTMix 081: EROTECHRE – New Pope Haute Couture The Plasticity of Prognosis: Tending to the Glitch in the Synthetic Habitats of TZUSOO & Yarli Allison Dismantling & reinventing visibility, exploring Jen Liu’s artistic & intellectual process Insight: Matthew Biederman explores automated authority & opens the black box with ‘Situational Compliance’ at SEMIBREVE Festival le_BRIMET, turning pixels into atoms through code, matter & machines UR: Human Presence, an immersive audio-visual environment in the form of a performance DEUS EX MACHINA – Deconstructing Digital Divinity Chronoclasty. A Clandestine (D)rift Log Biennale Danza 2026 – Time does (not) exist? Relational temporalities Reflections on Iklectik, events at a car park, current venue ecosystem & models Feeling Smartly: In the dust motes Video Premiere: Alexander Girav & Jonathan Jayasinghe for Holodec’s ‘reception’,  tracing the sublime through everyday LA  PAUL TZANETOPOULOS, light & perception to explore the social, political & ecological forces shaping modern life Jaleh Negari’s ‘ما به هم می رسیم | We Reach Each Other’, the self as a project & as an unfinished one Ballardian Fish-Bird: a bicycle crash performance by Fung Lee CLOTMix 080: DONNA HARINGWEY – Music to listen to alone [re]curated x Richard Hamilton: What does it mean to enter an exhibition that no longer exists? Video Premiere: Rebecca Salvadori & Richie Culver, ‘Some Stories Linger’ Multi-Agent worlding, reimagining narrative beyond systems Concatenations, on computation, intrinsic knowledge & grains of sand The Phone Talks Back: A monologue on Shenzhen & the architectures of consumer technologies Bienal Climática, exploring industrial memory & ecological futures in Avilés, Spain FIBER Festival 2026 – The day after: A single drop can change the course of a river HELENA NIKONOLE, exploring AI, biosemiotics & the politics of misuse Technologies of Meaning: Navigating INDEX Biennial of Art & Technology 2026 FIBER 2026 installations & AV shows: Fragility, listening & physical experience as forms of resistance The hills grew organs: Three views of posthuman Appalachia Reference vs Reverence: Post-hyperpop & the rebirth of the future Technological Necropolitics, who gets to live & die online Against the Experiment, exploring ten years of Backslash at Cornell Tech (Part 2) Who gets to enter the interface? On VR immersion & access The Day After – L.E.V. Gijón at twenty, a festival as a reading of its territory tekhnē x CLOT Magazine: Why DIY? On necessity, misuse & the conditions of making Insight: The jittery quilt we dream in: ‘Welcome to Cosmologyscape’ tekhnē x CLOT Magazine: Of underground frequencies, hidden infrastructures & the material life of sound FIBER x The Rest Is Noise 2025: the healing power of sound & storytelling AMRO 2026: ‘Becoming Unreadable’ fosters aesthetics & cultural practices of resistance against computational depletion & totalising AI Insight: Lunchmeat, an impulse to reflect & step past the edge MATTHEW COSSLETT, highlighting the nuanced interplay between digital & physical spaces