RAFAEL GÓMEZBARROS, understanding the society in which we live
Words by Lula Criado My first exposure to Rafael Gómezbarros’s work (Colombia, 1972) was at the Saatchi Gallery’s show ‘Pangaea: New Art from Africa and Latin America’. Rafael was showcasing his stunning installation Casa Tomada, a very large installation of hundreds of sculptures of ants made up of fibreglass casts of human skulls. Art and visual culture are […]