Hsin-Chien Huang

exploring storytelling & the evolution of surveillance

Danielle Brathwaite-Shirley,

games, archives & narratives to reflect on our own individual & societal beliefs

Mario Klingemann,

exploring the frontiers of AI, data poisoning, ethical challenges & art

Discussing the history, creative possibilities, ethical & legislative challenges of AI with Lluís Nacenta

Deciphering ‘Echoes of the Future: Artistic Interventions’, how artists use narratives & aesthetic practices to explore the environmental crisis

By Tuçe Erel, Jenny Alten & Udo Koloska

VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | VISUAL ART | VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS |

AI & A.Life

Insight: navigating through pixelated realities in the age of AI with Simple Noodle Art

News

Video Premiere: Soft as Snow’s ‘pierced.’ by Guynoid, an arresting aesthetic alchemy

Architectures

JOSHUA ABRAMOVICH, on the interdisciplinary vision of fusing architecture, fashion & digital worlds

Interviews

RAFAEL ANTON IRISARRI, shaping soundscapes of memory, identity & transformation

Biomedia

Insight: ‘Stuff change’, synchronising our gut feelings through metabolic acoustics

Body Sculptures

BLAKELEE PIERONI, crafting a digital future where art and activism converge

Architectures

Installation: Encor’s’Alcove LTD’ offers a light & sound experience that questions the concept of isolation

Computing Art

Insight: Hidden Edges question our sense of reality in a dematerialising world with ‘Chasing Waterfalls’

AI & A.Life

HSIN-CHIEN HUANG, exploring storytelling & the evolution of surveillance

Digital Art

Continuation or rupture: Heather Dewey-Hagborg’s multimedia opera ‘Xeno in Vivo’

MUTEK Forum as Temporary Utopia — crafting human-centered technological futures & showcasing the future of digital creativity

MARIO KLINGEMANN, exploring the frontiers of AI, data poisoning, ethical challenges & art

BERTO HERRERA, on surveillance & the current state of digital culture & social media

Discussing the history, creative possibilities, ethical & legislative challenges of AI with Lluís Nacenta

‘Disordered Attention: How We Look at Art and Performance Today’, on contemporary modes of spectatorship for performance exhibitions, interventions & invocations

ATAY ILGUN, in search of raw experience, ecstatic tranquillity & radical novelty

JUMOKE FERNANDEZ, how digital ecosystems enhance human creativity

Atonal X100. Photo credit: Frankie Casillo

Fierce Festival: celebrating Black, queer & marginalised bodies through contemporary dance & performance

FIBER Festival 2024: On how ‘Outer/Body’ & ‘Neighbouring Frequencies’ highlights the interconnectedness of bodies with ecological, technological systems & sound art

filip custic a face with projections

FILIP CUSTIC, reflecting the intersection of capitalism & technology on human existence

jordan edge blob colours digital

JORDAN EDGE, on exploring trans-species sonic fictions

Noemi gallardo performance colours insects reproduction

NAOMI RINCÓN GALLARDO, affective excess within ‘assemblages of entangled embodiments’

Humane Methods Fronte vacuo perfomance

Insight: ‘Humane Methods 6XXX6’ by Fronte Vacuo, radical multidisciplinary performances

human shape greay alien perimance

Editor’s pick: KUEENG by Ana Sting & Chloé Caillet, dance as a transforming spiritual practice

a fake man walks in a rope installation

Exhibition: ‘Useless Bodies?’ by Elmgreen & Dragset at Fondazione Prada

Body Sculptures

Assembly Lines, Sougwen Chung (2022). Photo credit: Peter Butterworth.

Sound
Art

RAFAEL ANTON IRISARRI, shaping soundscapes of memory, identity & transformation

On how the record label & artistic platform 99CHANTS produce cultural artifacts in the form of images, text & sound

Insight: Fabrizio Vatieri explores the relationships between comfort & the global commodification of life

Insight: Reimagine, diving into the 23rd Annual Deep Wireless Festival of Radio & Transmission Art

Exhibition: ‘counter-mapping’, how the Temporary Media Collective explores interzonal pathways through listening

ANNIKA KAHRS, on the world of inaudible sounds, gravitational waves & the interplay science/music

Biennale Musica 2023: Highlights, the microscopic nature of sound

Seanaps festival: transdisciplinary approaches in experimental music & culture in Leipzig, Germany

More Mixes>

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