EDUARDO MIRANDA, deciphering the possibilities of machine-made creativity

Pianist using tablet and sheet music at grand piano while researcher works on laptop in music technology lab.

Words by Meritxell Rosell   What do you imagine it is to be a composer working at the intersection of music, computing and biology? Professor Eduardo R. Miranda’s work takes us into the strange and fascinating realms of algorithmic composition, human-machine interfaces, artificial creativity, slime mould networks and neural cognition modelling; a long list of intellect […]