NORIMICHI HIRAKAWA, amidst human imagination & coding
Words by Patricia Bondesson Kavanagh Looking at the artwork datum from 2017 by Japanese media artist Norimichi Hirakawa, the viewer is presented with an audiovisual installation consisting of a dazzling array of pixels. Viewed in a darkened room, what appears on the projected screen teeters on the edge of becoming representational without ever fully […]