MARGHERITA PEVERE, the leaky character of the performative biomatter
Interview Živa Brglez Art practices that employ biological cells, tissues and organisms, habitually called “bioart”, are artistically most significant not because of their “usage” of these kinds of material – not, for example, because one can and would grow a painting – but because they effectively encroach and disrupt biopolitical and/or bioethical realms in meaningful […]