‘Kid Xanthrax, on the immanence of digital anti-aesthetics’, a visual interview
Interview by Griffin Martell The pseudonymous digital art provocateur Kid Xanthrax exists at the periphery of cyberculture, invoking irreverence for commercial, fine art “practice” through grotesque, “dank” meme aesthetics and absurdist humour. Their growing body of work appears to the viewer as a viral load of cursed imagery, an irruption of ugliness splayed across the […]