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‘Disordered Attention: How We Look at Art and Performance Today’, on contemporary modes of spectatorship for performance exhibitions, interventions & invocations

Text by Nicholas Burman Around a year ago, I attended an ‘Art and Technology’ panel at a festival. During the event, a co-founder of an “immersive” digital art company (the sort where famous paintings and museum pieces are animated and projected across a specially-designed space) talked about the project’s purpose. He spoke about a key […]