Who gets to enter the interface? On VR immersion & access
Text by Tuçe Erel Recent curatorial practices in art, science, and technology increasingly foreground questions of mediation, accessibility, and public engagement, yet their outreach often remains limited to already-specialised audiences. Medium- and large-scale exhibitions started to rely on technologically complex, immersive formats that unintentionally reproduce barriers to access, engagement, time, and institutional belonging or accommodation. […]