Interview by Laura Cabiscol Borghildur Indriðadóttir is an Icelandic artist who taps into her experience in architecture, performance and acting methods to question our understanding
Text by CLOT Magazine In a virtual world, how would new forms of (post) humans coexist? Artists Ali Eslami and Mathilde Renault invite the audience
Text by CLOT Magazine HeK (Haus der elektronischen Künste Basel) are presenting Cyberia by Maria Guta and Adrian GaneaStaged, a real-time 3D-generated dance performance that
Text by CLOT Magazine This Saturday, 31st July, at Space 289 in London, coincident with the venue launch weekend, musician and experimental producer Maxwell Sterling
Text by CLOT Magazine We live in a new era of interaction. The outcome of the pandemic has introduced a new relationship between artworks and
Text by Giulia Ottavia Frattini Stirred by an intense and inner drive towards a rituality that may have partially lost its permanence in present-day society
Text by CLOT Magazine Phytocene, from the Ancient Greek word phytos (plant), is a collective work by Oscar-winning sound designer Nicolas Becker, musician Agoria and
Text by Giulia Ottavia Frattini RadianceScape Live! is a work by the artist Chris Cheung in collaboration with a selected team including Jacky Lau, Daniel
Text by CLOT Magazine Gossamer Fog presents a series of hybrid performance evenings utilising cutting-edge virtual production techniques, compositing live performances and virtual environments for
Text by CLOT Magazine TRANSGENESIS is a new series of experiments by Agnes? Curated by Arturo Passacantando, Tommaso de Benedictis, and Charlie Mills is on
Text by Giulia Ottavia Frattini Dia Munoz is a multidisciplinary Ecuadorian artist based in London focused on the interplay between human behaviours, nature and technology.
Text by Piotr Bockowski Fungal activity has been complicit in the undercurrents of Victorian sewage that swallowed the source of Hackney Brook, one of the
Text by CLOT Magazine DREAM is the outcome of a 2-year partnership between The Royal Shakespeare Company (RSC), Manchester International Festival (MIF), Marshmallow Laser Feast
Text by CLOT Magazine CTM, one of Berlin’s most influential and experimental festivals, has gone virtual. They rose to the challenge of being unable to
Text by CLOT Magazine As a reflection on the social distancing phenomenon caused by the global pandemic and its consequent influence on individuals and society’s
Text by CLOT Magazine In response to the ongoing pandemics, CTM 2021 »Transformation« aims to address some of the challenges facing arts and culture in
Text by Piotr Bockowski In the dawn of the past winter solstice, as London was collapsing into the third lockdown, I decided to indulge in
Text by CLOT Magazine Artists Ania Catherine and Dejha Ti are presenting I’d rather be in a dark silence than (2020) at Factory Berlin, where
Text by Leoni Fischer Chalky rustling fills the room. The dark stage reveals an assemblage of thirteen cored building bricks stacked on top and beside
Text by Lula Criado Immersive sound offers space itself as a new instrument to play with – for musicians and sound artists; this opens the
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