
In conversation: Tereza Havlíková & Katharina von Hagenow on ‘Passing Data – Upcycling the Digital’
Text by CLOT Magazine More than half of all data stored in clouds is no longer in use. In impenetrable quantities, data loses meaning and
Text by CLOT Magazine More than half of all data stored in clouds is no longer in use. In impenetrable quantities, data loses meaning and
Text by Elena Bray & Iacopo Prinetti The research: a project on contemporary Loneliness The pervasive Loneliness [1] and its phantasmal and material presence in
Text by CLOT Magazine Black Curatorial is a conceptual creative agency providing spaces for Black curators, creatives and thinkers to discuss, dissect and build curatorial
Text by CLOT Magazine The Emerging Film Curators’ Lab is a career development programme that gives young people a chance to establish themselves in the
Interview by Ana Prendes Karin Ohlenschläger is a curator, art critic, and the artistic director of LABoral Centro de Arte y Creación Industrial in Gijón,
Intro words by Ana Prendes & interview by Meritxell Rosell The extraordinarily complex and layered intersection between art, science, and technology has moved from the
Interview Laura Cabiscol Zaiba Jabbar is an award-winning director, independent curator and founder of HERVISIONS (est. 2015). With over a decade of experience in the
Interview by Lula Criado Idil Tabanca has gone from being one of the founding editors of the successful New York-based art and fashion magazine BULLETT
Words by Agata Kik Suspensions can be characterised as passages, cracks, intervals, and interstices within the institutionally gridded space-times of neoliberal capitalism. Suspensions are both
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