
In conversation: Tereza Havlíková & Katharina von Hagenow on ‘Passing Data – Upcycling the Digital’
Text by CLOT Magazine More than half of all data stored in clouds is no longer in use. In impenetrable quantities, data loses meaning and

Text by CLOT Magazine More than half of all data stored in clouds is no longer in use. In impenetrable quantities, data loses meaning and

Text by Elena Bray & Iacopo Prinetti The research: a project on contemporary Loneliness The pervasive Loneliness [1] and its phantasmal and material presence in

Text by CLOT Magazine Black Curatorial is a conceptual creative agency providing spaces for Black curators, creatives and thinkers to discuss, dissect and build curatorial

Text by CLOT Magazine The Emerging Film Curators’ Lab is a career development programme that gives young people a chance to establish themselves in the

Interview by Ana Prendes Karin Ohlenschläger is a curator, art critic, and the artistic director of LABoral Centro de Arte y Creación Industrial in Gijón,

Intro words by Ana Prendes & interview by Meritxell Rosell The extraordinarily complex and layered intersection between art, science, and technology has moved from the

Interview Laura Cabiscol Zaiba Jabbar is an award-winning director, independent curator and founder of HERVISIONS (est. 2015). With over a decade of experience in the

Interview by Lula Criado Idil Tabanca has gone from being one of the founding editors of the successful New York-based art and fashion magazine BULLETT

Words by Agata Kik Suspensions can be characterised as passages, cracks, intervals, and interstices within the institutionally gridded space-times of neoliberal capitalism. Suspensions are both