The Interface Cultures Master programme at the University of Art and Design Linz, under the guidance of artist Christa Sommerer, has become an incubator of
The “Decade of Restoration” (the title the United Nations gave to the last ten years of our ecosystems) has been rocky. So rocky that this
For curators Mohammad-Ali Famori and Sadeq Majlesi, the meaning of the word “glitch” extends further than a malfunctioning screen. Glitch has become a genre of
As we settle deeper into an uncomfortable co-existence with the pandemic, with various approaches from governments of different countries, as well as different phases in
Ralf Baecker is a German artist and programmer, working at the interface of art, science and technology. Ralf Baecker studied media art at Cologne’s Academy
Of all the things that drive people to technology and coding, the most common reason, I’ve come to learn, is their own humanity. Lauren McCarthy
Entangled Realities: Living With Artificial Intelligence is an international group exhibition hosted at HeK (House of Electronic Arts Basel), an interdisciplinary art institution dedicated to
Claude Heiland-Allen exhibition consists of diverse works such as digital prints, Pure-data sound works, and different audio-visual, multimedia, and interactive installations. The artist works using
Migration is an L.A based creative institution specialised in experimental sensorial events, influenced by technology, art and sound. One of their latest exhibits ‘‘World of
Haus der Kulturen der Welt (HKW) in Berlin is presenting a new exhibition and research program. After the long-term projects The Anthropocene Project (2013–2015)
Kontejner is a non-profit NGO founded in 2002 in Zagreb (Croatia). Since its inception Kontejner has engaged in organisation art festivals and curational work
Christa Sommerer & Laurent Mignonneau are not only internationally renowned media artists but also pioneering names in media art(s) culture(s) scene. Their works have
Output, or poetry, from Ross Goodwin’s RNN-LSTM Machine learning – a method of data analysis that automates analytical model building, or the science of getting
[two_columns] [column1] (indivisible, mcs, 2016) [/column1] [column2] (Wroclaw, 2017) [/column2] [/two_columns] Looking at the artwork datum from 2017 by Japanese media artist Norimichi Hirakawa,
[two_columns] [column1] (Second Skin, 2016) [/column1] [column2] (Second Skin, 2016) [/column2] [/two_columns] Technology is evolving fast, and we can only wonder whether we are
[two_columns] [column1] [/column1] [column2] [/column2] [/two_columns] How are our senses linked to reality? Can we trust our senses? How does our brain parse out
[two_columns] [column1] (Electric Knife Orchestra, 2015) [/column1] [column2] (Eggsistential Angst, 2015) [/column2] [/two_columns] In the video accompanying the artwork Fish Hammer, a small goldfish
[two_columns] [column1] Seattle Crime Cams, Dries Depoorter [/column1] [column2] Second Skin 2, Henry Driver [/column2] [/two_columns] Barbican and The Trampery have launched alt.barbican, an arts
[two_columns] [column1] Fovea [/column1] [column2] Etanan [/column2] [/two_columns] Textile design graduate Florence To creates architectural designs in space using light and shapes as the
A new exhibition by Japan’s leading electronic composer and visual artist Ryoji Ikeda at Almine Rech Gallery in London. His performances and exhibitions
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