Text by Manuela Naveau In computers, the “mathematical objectification” (…) never transforms back into a life-world sense, but at best, into contemplation or life of
Text by Manuela Naveau In computers, the “mathematical objectification” (…) never transforms back into a life-world sense, but at best, into contemplation or life of
Interview by CLOT Magazine The Interface Cultures Master programme at the University of Art and Design Linz, under the guidance of artist Christa Sommerer, has
Text by Juliette Wallace The “Decade of Restoration” (the title the United Nations gave to the last ten years of our ecosystems) has been rocky.
Text by CLOT Magazine For curators Mohammad-Ali Famori and Sadeq Majlesi, the meaning of the word “glitch” extends further than a malfunctioning screen. Glitch has
Text by so-far & CLOT Magazine As we settle deeper into an uncomfortable co-existence with the pandemic, with various approaches from governments of different countries,
Interview by Laura Netz Ralf Baecker is a German artist and programmer working at the interface of art, science and technology. Baecker studied media art
Interview by Lidia Ratoi Of all the things that drive people to technology and coding, the most common reason, I’ve come to learn, is their
Text by CLOT Magazine Entangled Realities: Living With Artificial Intelligence is an international group exhibition hosted at HeK (House of Electronic Arts Basel), an interdisciplinary
Text by CLOT Magazine Claude Heiland-Allen exhibition consists of diverse works such as digital prints, Pure-data sound works, and different audio-visual, multimedia, and interactive installations.
Text by CLOT Magazine Migration is a Los Angeles-based creative institution specialising in experimental sensorial events influenced by technology, art and sound. One of their
Text by CLOT Magazine Haus der Kulturen der Welt (HKW) in Berlin is presenting a new exhibition and research program. After the long-term projects The
Text by CLOT Magazine Kontejner is a non-profit NGO founded in 2002 in Zagreb (Croatia). Since its inception, Kontejner has engaged in the organisation of
Interview by Bilge Hasdemir Christa Sommerer & Laurent Mignonneau are internationally renowned media artists and pioneering names in the media art scene. Interaction is one
Interview by CLOT Magazine Output, or poetry, from Ross Goodwin’s RNN-LSTM Machine learning – a method of data analysis that automates analytical model building, or
Words by Patricia Bondesson Kavanagh Looking at the artwork datum from 2017 by Japanese media artist Norimichi Hirakawa, the viewer is presented with an
Words by Ana Sancho Technology is evolving fast, and we can only wonder whether we are able to adapt quickly or predict the implications of
Interview by Sebastian Kamau How are our senses linked to reality? Can we trust our senses? How does our brain parse out contradictory sensory information?
Words by Patricia Bondesson Kavanagh In the video accompanying the artwork Fish Hammer, a small goldfish – dubbed Smashie by UK-born, New media artist Neil Mendoza
Text by CLOT Magazine Barbican and The Trampery have launched alt.barbican, an arts accelerator that will encompass work across artificial intelligence, radio manipulation, wearable tech
News | Interviews | Op & Ed | Series | Audio
Careers | Advertise & Partnerships | CLOT Media
Contact | Private policy | About
