Text by CLOT Magazine Christian Duka is a curator, sound designer and music artist of the generation that emerged in the wake of digital technology. He
Text by CLOT Magazine Pierre Huyghe is a French artist born in 1962 and very well known for creating complex installations and environments involving living
Text by CLOT Magazine Touch, the prominent experimental electronic music platform, is presenting an interesting double bill at IklectiK (London) on the 1st of February 2019
By CLOT Magazine Editors Carte Blanche to Tomas Saraceno: ON AIR, Palais de Tokyo Paris, until 6 January 2019 Last chance to see a new exhibition by Tomás Saraceno
Text by CLOT Magazine The seas and oceans in the planet oceans cover two-thirds of the planet, shaping human history and culture, home to
Words by Polly Bindman Stour Space, located in a formerly disused building in Hackney Wick, is from the outside fairly nondescript – a seemingly unlikely
By CLOT Magazine Editors Protocols of Uncertainty, Gossamer Fog London, until 16 December 2018 In the totally technologically mediated environment, the exponential multiplication of levels of abstraction, the widespread adoption
Text by CLOT Magazine Next Sunday, December 2, closes the inaugural exhibition of the Passen-gers off-site series: Disinformation ‘Language [as] Meta-Technology. Passen-gers is a site-specific
Interview by Polly Bindmann Perusing Antoine Catala’s website, you gain a sense of his slightly tongue-in-cheek approach to digital media. Browsing his site is a
Text by CLOT Magazine The Old Church is an arts and performance venue in the heart of Stoke Newington in North-East London. It’s the only
Text by CLOT Magazine Electronic music pioneer Jean-Michel Jarre is releasing his brand new studio album Equinoxe Infinity, the sequel to his 1978 album Equinoxe.
Interview by Agata Kik SM-LL is a record label based in London run by Martin J Thompson, a.k.a Pokk!, Typeface, and Lucia H Chung, a.k.a
Text by Allan Gardner I want to begin with a caveat – I have been to Lawrence Abu Hamdan’s Earwitness Theatre at Chisenhale Gallery once.
By CLOT Magazine managing editors MIRA festival, Fabra i Coats Barcelona, 8–10 November 2018 MIRA, the digital arts, is back in Barcelona. Focused on new trends in digital
Interview by Marielle Saums A soundscape is a collaboration between biotic and abiotic elements in a landscape: wind slicing through tree branches, river water churning
Text by CLOT Magazine The infamous ‘Monster of Whitechapel’, a 130-tonne ‘fatberg’, is a huge clump of oil, rubbish and waste which block up the
Interview by Lidia Ratoi Yunchul Kim lives between Berlin and Seoul. He creates art somewhere in the boundary between technology, chemistry, physics, robotics, astronomy and
By CLOT Magazine directing editors Pierre Huyghe exhibition, Serpentine Gallery London, 3 October 2018 – 10 February 2019 Pierre Huyghe, one of the world’s leading conceptual artists, known
Text by CLOT Magazine Tomorrow’s materials will be smarter, stronger, more dynamic and less ecologically damaging. But how will future materials change the design of
Text by CLOT Magazine Arcade East, London College of Fashion’s new project space, was developed to host a themed season of events and installations focusing
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