STEVE BISHOP, orchestrating the notions of everyday life
24 Jun, 2020
Interview by Leoni Fischer I came across Steve Bishop for the first time last year when I visited his installation Deliquescing at KW Berlin, which
Interview by Leoni Fischer I came across Steve Bishop for the first time last year when I visited his installation Deliquescing at KW Berlin, which
Text by CLOT Magazine Territorial Agency: Oceans in Transformation synthesise three years of intersectional research investigating the transformations of the world’s oceans in the Anthropocene.
Text by Lyndsey Walsh Guy Ben-Ary, Nathan Thompson, and Sebastian Diecke form the transdisciplinary collaborative team behind the work Bricolage. Bricolage debuted on February 6,
Text by Mara G. Haseltine In 2006 I installed one of my largest sculptures to date, 12 meters in diameter, SARS Inhibited. The Sculpture is
Text by CLOT Magazine What if to save our seas and oceans, we should have a deeply intimate relationship with it, and understand its most
Text by CLOT Magazine Performative and media artist director and composer Marco Donnarumma has been since the early 2000s exploring contemporary performance, new media art,
Text by CLOT Magazine Studio Samira Boon, in collaboration with Waag and the VU Amsterdam, is working on Living Aero Bacterial Systems (LABS), a project that focuses
Text by Piotr Bockowski The exhibition Mushrooms: The Art, Design And Future Of Fungi invites us to ever-mutating life of symbiotic hybrids and shows that
Text by Benedetta d’Ettorre Venice-based artists’ collective Barena Bianca brings to the Imperial College CLCC Foyer Gallery Atensión!, an installation that catalyses the power of
Text by CLOT Magazine Formafantasma returns to the Serpentine Galleries in London with their upcoming exhibition Cambio, the third exhibition of design in the Serpentine’s
Text by CLOT Magazine The Swiss Cultural Center in Paris is presenting Acoustic Ocean, by Ursula Biemann, an expedition to Antarctica’s oceans depth in the
Text by CLOT Magazine What would animals say to us if we listened to them? What might we learn about the state of our shared
Interview Živa Brglez Art practices that employ biological cells, tissues and organisms, habitually called “bioart”, are artistically most significant not because of their “usage” of
Text by CLOT Magazine Growing advancements in biotechnologies like gene editing and tissue engineering are transforming the face of medicine, while also challenging our current
Text by CLOT Magazine The fourth international conference, “Taboo – Transgression – Transcendence in Art & Science”, will take place November 26–28, 2020, in Austria,
Text by CLOT Magazine Until 26 January 2020, White Cube in London presents Superstrings, Runes, The Norns, Gordian Knot, an exhibition of new work by
Text by CLOT Magazine Becky Lyon is a London-based artist examining how humans impact life’s development on earth through the intentional and unintentional blending of
Text by CLOT Magazine Rampa Lab, a laboratory for hacking science, art and society with programmes that develop the potential within the youth, is run
Text by CLOT Magazine Hangar, Bioart Society, Kersnikova Institute, and Cultivamos Cultura are leading Biofriction, a Creative Europe project devoted to supporting Bioart and Biohacking
Text by CLOT Magazine Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures is an art-science exhibit and symposium of artists, scientists, and humanities