Words by Meritxell Rosell In a shaker, place 1 ½ parts of computerised exotica, ½ part of linguistics, 1 part of ethnography and transculturalism and
Text by CLOT Magazine Next Friday, 8th December, Unsound – one of the world’s most adventurous music festivals – comes to London’s Barbican with an
Interview by Meritxell Rosell Harm van den Dorpel is a Berlin-based Dutch conceptual artist regarded as a key figure in the post-internet art movement. Alongside with
Words by Meritxell Rosell With one of the best live shows at the moment, Ewa Justka, a Polish electronic and noise artist, is challenging audiences with
Text by CLOT Magazine Marcel Weber, better known as MFO, is a renowned German lighting and visual artist. Marcel has been creating and directing audiovisual
Text by CLOT Magazine Our friends from Unsound Festival have done it again. Full week and weekend passes for Unsound Kraków 2017 edition sold out
Text by Meritxell Rosell The American experimental electronic duo Matmos are M.C. Schmidt and Drew Daniel. Both artists are the main core of the outfit,
Text by Meritxell Rosell CLOT Magazine got the chance to talk to musician Robert Lippok and video artist and live performer Lillevan during the 2016 edition
Text by Meritxell Rosell Media historian and artist Kristen Gallerneaux is the Curator of Communications and Information Technology at The Henry Ford Museum (Detroit, USA),
Text by CLOT Magazine Johannes Klabbers is an Australian writer and posthumanist therapist living and working in The Netherlands. This year, he served as the
Text CLOT Magazine Dislocation: [noun] Disturbance from a proper, original, or usual place or state —English Oxford Dictionary The first of the three definitions
Words by Meritxell Rosell Tom Ellard is a multi-faceted Australian musician, media artist and researcher. In his own words, he’s ‘made jingles, soundtracks, muzak, hit
Text by CLOT Magazine What happens when you unite an exquisite selection of the most avant-garde audio and visual artists with talks, workshops, films and
Interview by Meritxell Rosell I came across the work of Chris Watson when first introduced to his glacier recordings1. I was immediately fascinated. These peculiar
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