Text by CLOT Magazine This Thursday, 27 September, our digital producer Stephen McLaughlin is launching a new solo musical project, TFT, with an evening of noisy
Interview by Bilge Hasdemir Ursula Damm is a media artist working at the intersection of art, science and technology on a delicately balanced ground. Besides,
Text by CLOT Magazine On the 7th of October 2018, Barbican Hall gives its stage to Estela Oliva, who as Clon presents two London premieres,
Text by CLOT Magazine Field recordings have the capacity to capture and preserve the acoustic characteristics of places and people, usually confined to the realms
Text by Agata Kik Fort Process is a one-day biannual festival during which the past meets the future, and contemporary man meets the natural environment.
Interview by Meritxell Rosell Fort Process, the one-day multidisciplinary experimental sound and art festival, is back on the 22nd of September for its third edition
Interview by Meritxell Rosell Liminality, borders, skin, geologic formations, and, at the same time, identity and belonging are some of the concepts experimental sound artist
Interview by Meritxell Rosell A few months ago, we published an interview with Tony Rolando, the mind behind the acclaimed modular synth company, Make Noise,
As what was once considered the technology of some distant, utopian future quickly becomes today’s technology, lines between machine and man can get blurry. We
Text by CLOT Magazine Pioneering Japanese composer Ryuichi Sakamoto and experimental electronic musician Alva Noto were together again to offer their new show called “Two”
Interview by Isabella Ampil Michael Begg is quick to cite his sources. Talking about the wells of inspiration for his work, he credits a stranger
Interview by Marielle Saums Listening to a Yann Novak composition is akin to sitting in Pacific Northwest rainfall. Whispers of field recordings and modular synthesizers
Text by CLOT Magazine Sote, or Ata Ebtekar, is one the most prominent current Iranian composers and sound artists. He produced one of the most exciting
Text by CLOT Magazine Space and location are always crucial players in sound art performances. And for Fort Process, a one-day sound art festival is one of
Interview by Meritxell Rosell There was a point a decade ago when the ubiquity of the onstage glowing apple caused something to crack in the
Text by CLOT Magazine Spacial sound designers and researchers are exponentially exploiting the possibilities of new media, such as virtual and augmented reality, and some
Text by CLOT Magazine Unsound Krakow festival passes are going on sale tomorrow, 6th June, at 4pm CEST, so grab them quickly, as they usually
Text CLOT Magazine On July 20, 1969, Neil Armstrong became the first human being to step foot on the moon. 49 years later, Sónar has
Interview by Meritxell Rosell When experiencing the installations of Nelo Akamatsu, one might be gently overcome by a delicate, physical sense of calmness. The artist
Words by CLOT Magazine PRESENCE. Unsound just shared with us the theme for the 16th edition of Unsound Krakow 2018 [1] – which we have
