Text by Ania Mokrzycka Operating within the register of science fiction in imagining alternative versions of the future and, in doing so, creating a possibility
Text by Fiona Glen A cluster of white geometric pillars that resembles a technological acropolis or the idealised spaceship interiors in 20th-century sci-fi – sterile
Text by Meritxell Rosell Can you protect black trans people with a gun? With this challenging question visitors of arebyte gallery’s (London) current exhibition are
Text by CLOT Magazine arebyte Net Works invites artists, curators and international galleries working in digital arts to develop projects to be presented on AOS.
Text by CLOT Magazine As part of Future Art Ecosystems: Art x Metaverse’s exploration into virtual experiences and the infrastructure necessary to support evolving art
Text by CLOT Magazine arebyte Gallery (London) are showing Software for Less, the first UK solo show by Ben Grosser, the US-based artist/scientist/coder, who started
Text by CLOT Magazine arebyte, the London-based contemporary platform dedicated to New Media and Performance Art launched The Digital Weird last June, a group exhibition exploring the realm of “weirding”
Text by CLOT Magazine We live in a new era of interaction. The outcome of the pandemic has introduced a new relationship between artworks and
Interview by Agata Kik arebyte is a London-based art organisation paving a pioneering path through digital art programming, marking new points, peaks and perspectives at
Text by CLOT Magazine arebyte’s 2020 programme takes the notion of Systems as its point of departure. Continuing from the 2019 theme, Home, Systems invites
Text by CLOT Magazine Trickle Down, A New Vertical Sovereignty, a new body of work by UK-based artist Helen Knowles, opens at arebyte Gallery this
Text by Laura Netz The work in The Underlying utilises live sentiment analysis of online news production and social media, relating to BPA’s (Bisphenol A*)
Text by CLOT Magazine arebyte Gallery is managing to keep us excited about their new exhibitions. Their opening show for 2019 explores the idea of simulation, fake
By CLOT Magazine Editors Carte Blanche to Tomas Saraceno: ON AIR, Palais de Tokyo Paris, until 6 January 2019 Last chance to see a new exhibition by Tomás Saraceno
By CLOT Magazine Editors Curating Digital Art, Town Hall Hotel London, 10 July 2018 Hans Ulrich Obrist, Jenna Sutela and Ben Vickers present an evening of inquiry
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