Text by CLOT Magazine The Emerging Film Curators’ Lab is a career development programme that gives young people a chance to establish themselves in the
Text by Meritxell Rosell Pioneering environmental artist Agnes Denes is back with a new major installation, forty years after her seminal work Wheatfield – A
Text by Giulia Ottavia Frattini While spirituality, in some respects, embodies a process of pronounced introspection, it is also a quest and tension towards a
Interview by CLOT Magazine Even the most traditionally-seen art forms seem not to be able to miss the impact of new technologies, and theatre, dance
Interview by Ana Prendes For over thirty years, British artist Vicki Bennett – aka People Like Us – has been radically approaching audiovisual collage. Self-described
Text by CLOT Magazine Since 1991, British artist Vicki Bennett (People Like Us) has been working across the field of audio-visual collage, repurposing pre-existing footage
Text by CLOT Magazine Sheffield Doc/Fest, the pioneering digital art strand, is presenting from Mon 13 to Sun 19 Jan 2020, at the Barbican Centre,
Interview by Daniel Mackenzie If one would be forced to consider base-level categorisations of musical instruments, it would perhaps feel instinctive to look to the
Interview by Daniel Mackenzie Many contemporary artists have a hand in a range of disciplines which broadens their remit beyond their core set of influences
Text by Agata Kik To be more than a human means to be more than his brain, to be more than the cognitive self. It
Text by Adriana Ciotau Emma-Kate Matthews is an architect, artist, and composer who has built an amazing array of transdisciplinary projects between architecture, acoustical engineering
Interview by Meritxell Rosell In The Last Angel of History (1996), a film essay by John Akomfrah that deals with concepts of Afrofuturism tracing de
Text by CLOT Magazine Next week, on April 12, 2019, legendary Cybotron returns to perform live at Barbican London, showcasing a creative collaboration between Detroit’s
Text by CLOT Magazine BARZAKH by The Waldorf Project, Shredded Wheat factory Welwyn Garden City, 9 April – 12 May 2019 The Waldorf Project have
Ryoji Ikeda was back at the Barbican for a dual show. Both parts contrasting but complimentary of the work of the groundbreaking Japanese audiovisual composer. Ikeda
Text by CLOT Magazine On the 7th of October 2018, Barbican Hall gives its stage to Estela Oliva, who as Clon presents two London premieres,
Dawns, Mine, Crystal, Yunchul Kim, Korean Cultural Centre London, 18 September – 3 November 2018 The Korean Cultural Centre, London (KCCUK) presents Dawns, Mine, Crystal, the first UK
Pioneering Japanese composer Ryuichi Sakamoto and experimental electronic musician Alva Noto were together again to offer their new show called “Two” at the Barbican.
Whose Scalpel, Yen Tzu Chang, Music Hackspace, Somerset House Studios London, 9 August 2018 Taiwanese artist Yen Tzu Chang presents an artist talk followed
Text by CLOT Magazine My definition of beauty is something very simple, which can express something very complex. There’s no better way to define Carsten
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