JUMOKE FERNANDEZ, how digital ecosystems enhance human creativity
Interview by Irem Erkin Jumoke Fernandez is a remarkable self-taught creative driven by a passion for merging design with cutting-edge technology. She received home
Interview by Irem Erkin Jumoke Fernandez is a remarkable self-taught creative driven by a passion for merging design with cutting-edge technology. She received home
Text by Katažyna Jankovska What’s it like to reimagine ancient divination practices through the lens of new technology? When faced with uncertainty, people throughout time
Interview by Daniel Silva Peter Burr is an American artist who explores the complex relationship between technology, society, and the natural world. One of his
Text by CLOT Magazine Serpentine Arts Technologies are Launching today their third annual strategic briefing. Future Art Ecosystems 3 (FAE3): Art x Decentralized Tech provides
Text by Miguel Isaza Jimmy Edgar is an artist from Detroit, Michigan, known mainly for his musical work, located somewhere between techno, hip hop and
Text by CLOT Magazine OLEA is a unique olive oil, the fruit of the development between different disciplines and coordinated by artist Solimán López in
Text by CLOT Magazine Proof of Stake – Technological Claims is a group exhibition initiated by the Kunstverein in Hamburg and artist Simon Denny that reflects
Text by Charlotte Kent A hallmark of digital art has been the democratising principles of decentralisation and shared ownership. Smart contracts have been at the
Text by Charlotte Kent Ownership of certain kinds of tokens on the Ethereum blockchain, known as “social tokens,” can act as an investment in an
Text by CLOT Magazine CO:QUO (CO-CREATE STATUS-QUO) is a collective of multidisciplinary creatives collaborating internationally to address status-quos that negatively impact society through the intersection
Interview by Leoni Fischer If we continue to restrict ourselves to viewing nature as a domain, work tool, or material, rather than a partner, everything
Text by Charlotte Kent Auction houses certainly provide a service to the art industry, but their secondary market foundation makes them perhaps not the ideal
Text by Charlotte Kent I’m sitting at the computer during the Spring Equinox on a glorious day when any number of people I know are
Text by Charlotte Kent Questions of high and low art, aesthetics, and curation arise when talking about blockchain and art because many in the art
Text by Laura Cabiscol Myths have existed for as long as humanity has. We all love a great story, even better if it poses a
Text by CLOT Magazine We know it; the world has gone bitcoin, cryptocurrency, and blockchain crazy. Every day around us. Terms can be confusing, but
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