Text by CLOT Magazine Claude Heiland-Allen exhibition consists of diverse works such as digital prints, Pure-data sound works, and different audio-visual, multimedia, and interactive installations.
Text by CLOT Magazine In an interview with Studio Drift last year, founders Lonneke Gordijn and Ralph Nauta told us how their interest in science
Text by CLOT Magazine The CryptoFuturist and The New Tribal Labyrinth by Atelier Van Lieshout, Pioneer Works NYC, 1 March – 14 April 2019 For his largest-scale
Text by CLOT Magazine WOE FROM WIT by Adam Broomberg & Oliver Chanarin, Synthesis Gallery Berlin, until 3 February 2019 Part of Vorspiel/transmediale/CTM 2019, this is the first
Text by CLOT Magazine Alejandra Pérez Núñez is a sound artist, hacktivist and media designer. Her work focuses on the study of Antarctica and uses
Text by CLOT Magazine Allan Gardner is a Scottish artist and writer contributing to our publication. Last weekend he presented some of his artworks at the
Text by CLOT Magazine Saša Spačal is a post-media artist living and working in Ljubljana, Slovenia. Her current research encompasses living systems, media art, sound
Text by CLOT Magazine A new exhibition is opening at STATE Studio Berlin, Living Canvas, by Fara Peluso, a Berlin based designer and artist. The exhibition consists
Text by CLOT Magazine Haus der Kulturen der Welt (HKW) in Berlin is presenting a new exhibition and research program. After the long-term projects The
Text by CLOT Magazine Water and water pollution are becoming a central focus of artistic research. There is an exponentially growing number of initiatives, exhibitions and
Text by CLOT Magazine arebyte Gallery is managing to keep us excited about their new exhibitions. Their opening show for 2019 explores the idea of simulation, fake
By CLOT Magazine Editors Carte Blanche to Tomas Saraceno: ON AIR, Palais de Tokyo Paris, until 6 January 2019 Last chance to see a new exhibition by Tomás Saraceno
Text by CLOT Magazine Kapelica Gallery (founded in 1995 in Ljubljana) is one of the reference institutions for contemporary investigative arts worldwide. Their transgressive programme,
Interview by Allan Gardner Dan Holdsworth is an artist of many accolades, one of the youngest ever to be acquired by Tate’s permanent collection and
By CLOT Magazine Editors Protocols of Uncertainty, Gossamer Fog London, until 16 December 2018 In the totally technologically mediated environment, the exponential multiplication of levels of abstraction, the widespread adoption
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Text by CLOT Magazine Next Sunday, December 2, closes the inaugural exhibition of the Passen-gers off-site series: Disinformation ‘Language [as] Meta-Technology. Passen-gers is a site-specific
Text by CLOT Magazine Between 28th November 2018 and February 17th, 2019, the PERMM Museum of Contemporary Art welcomes a large-scale international project: THE NEW
Text by CLOT Magazine The title of the exhibition ‘Agonism/Antagonism’ derives from a relational understanding of the two terms, where ‘Agonism’ – as a political
Text by Allan Gardner I want to begin with a caveat – I have been to Lawrence Abu Hamdan’s Earwitness Theatre at Chisenhale Gallery once.
Text by CLOT Magazine On 27 October 2018, STATE opened its first participatory science and art gallery: STATE Studio Berlin, a new experimental, participatory and
