
CLOT x Tekhnē: Of technological agency & sonic emancipation
Interview by Mila Azimonti Which feels more familiar: technocratic confidence or prophetic inevitabilism? When we speak about technology, we tend to fall into one of

Interview by Mila Azimonti Which feels more familiar: technocratic confidence or prophetic inevitabilism? When we speak about technology, we tend to fall into one of

Text by Mila Azimonti Curating musical expressions today can be an important calling.[i] The line catches me while I drift through Politics of Curatorship,[ii] picked

Text by Mila Azimonti In a landscape where many city-format festivals devoted to sonic research are beginning to resemble one another, location becomes a decisive

Text by Mila Azimonti Music is the only art form that vanishes as it is experienced, which is a bit of an ontological crisis if

Text by Mila Azimonti What if audio essays had the power to transport and transform us? What if they could carry us through shifting temporalities,

From the visceral heart of London’s punk, noise, experimental, and DIY scenes, a unique biannual event series has emerged with force this year. Just days away from its third iteration (and the second in London), Sunday School, conceived by Dom Stevenson (aka YAWS), is set to return on August 26th at the iconic New River Studios in North London. The lineup packs a fierce array of bands and live acts featuring heavy hitters like Russell Haswell and Autumns, among many others.