
MERCHE BLASCO, establishing a non-hierarchical relationship with technology
Interview by Olya Karlovich It all started with improvisation. When 20-year-old Merche Blasco was looking for a hobby to switch off from studies in communication
Interview by Olya Karlovich It all started with improvisation. When 20-year-old Merche Blasco was looking for a hobby to switch off from studies in communication
Text by Lyndsey Walsh Leaving the bubble that is realism, I KNOW – On The Aesthetic Of Truth invites audiences into the domain of what
Text by Olya Karlovich Sunday evening, sitting in an old-school chair of the Akademie der Künste’s auditorium, I am trying to focus on a collaborative
Text by Olya Karlovich After two years of lockdown, CTM Festival is finally returning to its usual format, simultaneously unfolding a diverse range of IRL
Text by Piotr Bockowski As hygiene obsessed restrictions paralysed German cultural institutions two years ago, transmediale curators decided to deconstruct the mass-congestion format of their
Text by Piotr Bockowski All hope abandon ye who enter here is written over the gate of Dante’s Inferno, and according to Karl Marx, the
Text by CLOT Magazine Already a week in, CTM 2022 Contact asks how we might establish positively transformative modes of contact with other realities beyond
Text by CLOT Magazine As part of transmediale’s 2021–22 festival edition for refusal, which unfolded over the course of a year, a symposium will be taking
Text by Simon Coates A pandemic while we’re in a global culture and information war wasn’t the scenario I was hoping for. Instead, it’s been
Text by CLOT Magazine transmediale recently announced the details of their exhibition, concluding the year-long festival. abandon all hope ye who enter here will take place
Interview by Laura Cabiscol Patricia Dominguez is an artist, educator and activist from Chile whose work merges socio-political and economic matters with mysticism and ancient
CTM, one of Berlin’s most influential and experimental festivals, has gone virtual. They rose to the challenge of not being able to gather in-person this
In response to the ongoing pandemics, CTM 2021 »Transformation« aims to respond to some of the challenges facing arts and culture in these exceptional times.
Text by CLOT Magazine In a show of support to Lebanon’s music scene, Morphine and CTM Festival, in collaboration with Beirut artist initiatives Irtijal Festival, Ruptured, Tunefork Studios, The
Text by Estela Oliva transmediale Festival returns to Berlin another year with a programme of conversations, screenings, performances and artistic interventions. With a theme titled
Text by CLOT Magazine From January 24 o February 2 of next year, Berlin will see the 2020 instalment of the CTM festival, which explores
Sote, or Ata Ebtekar, is one the most prominent current Iranian composers and sound artists. He produced one of the most exciting (and one of
How can music respond to the intertwining of natural, social and technological processes? HKW (Haus der Kulturen der Welt) in Berlin, in cooperation with
Words by Meritxell Rosell For Evelina Domnitch and Dmitry Gelfand, an artistic duo based in Amsterdam, perception and observation are central processes in their practice. Observation
Text by Lula Criado and Meritxell Rosell Fear:[noun] an unpleasant emotion or thought that you have when you are frightened or worried by something
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