URSULA DAMM, a cybernetic look on our public spaces
Interview by Bilge Hasdemir Ursula Damm is a media artist working at the intersection of art, science and technology on a delicately balanced ground. Besides,
Interview by Bilge Hasdemir Ursula Damm is a media artist working at the intersection of art, science and technology on a delicately balanced ground. Besides,
Text by Agata Kik Fort Process is a one-day biannual festival during which the past meets the future, and contemporary man meets the natural environment.
Interview by Meritxell Rosell Fort Process, the one-day multidisciplinary experimental sound and art festival, is back on the 22nd of September for its third edition
Interview by Meritxell Rosell Liminality, borders, skin, geologic formations, and, at the same time, identity and belonging are some of the concepts experimental sound artist
Interview by Isabella Ampil One week after receiving a degree in architecture with maximum distinction from the University of Chile, Nicole L’Huillier started a band
By CLOT Magazine Editors Whose Scalpel, Yen Tzu Chang, Music Hackspace, Somerset House Studios London, 9 August 2018 Taiwanese artist Yen Tzu Chang presents an artist talk followed
Interview by Bahar Emirzade Susan Rogers is the director of the Berklee Music Perception and Cognition Laboratory in Boston. But before that, she became famous as
Text by CLOT Magazine The Zero Gravity Band is an immersive installation of light and sound 360º that tries to induce sensations of zero gravity and
Text by CLOT Magazine Sote, or Ata Ebtekar, is one the most prominent current Iranian composers and sound artists. He produced one of the most exciting
Text by CLOT Magazine To confine our attention to terrestrial matters would be to limit the human spirit.Stephen Hawking Step outside on a clear, dark
Interview by Bilge Hasdemir Richard Beckett is a London-based architect and designer, and co-founder of BiotA Lab and Syn.De.Bio (Synthetic Design Biotopes), where his creativity
Text by CLOT Magazine Space and location are always crucial players in sound art performances. And for Fort Process, a one-day sound art festival is one of
Text by Meritxell Rosell The materiality of nature is seen through a digitalised scientific and technological glass. That’s how UK-based Semiconductor approach their practice. Semiconductor
Text by CLOT Magazine Unsound Krakow festival passes are going on sale tomorrow, 6th June, at 4pm CEST, so grab them quickly, as they usually
Text CLOT Magazine On July 20, 1969, Neil Armstrong became the first human being to step foot on the moon. 49 years later, Sónar has
Words by CLOT Magazine PRESENCE. Unsound just shared with us the theme for the 16th edition of Unsound Krakow 2018 [1] – which we have
Text by CLOT Magazine How can music respond to the intertwining of natural, social and technological processes? HKW (Haus der Kulturen der Welt) in Berlin,
Interview by Meritxell Rosell Nature’s cycles of life and decay are fascinating subjects. And interruptions in these processes are even more intriguing. At a young
Text by CLOT Magazine What are the new creative and technological territories that remain unexplored?’ Asks Sónar+D, the Congress dedicated to creative technologies, which runs
Interview by Sebastian Kamau During the Gemini IX-A manned spaceflight in 1966, Eugene Cernan performed one of the first extravehicular activities (EVA) or spacewalks. As
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