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Insight: On ‘The Tyranny of Language’ at HdM GALLERY London

Text by CLOT Magazine

Code Words, Charles Sandison (2019)

The Tyranny of Language is an AI meets Art exhibition displaying a solo show by Charles Sandison. The exhibition is open to the public at HdM GALLERY in London until October 25, coinciding with Frieze week. Scottish-born artist Charles Sandison has always been fascinated with computers, programming, software design, and Artificial Intelligence. Having self-taught coding at a young age, he went on to design and sell his own computer games before deciding he wanted to pursue a professional art education. Attending Glasgow School of Art, he soon realised, however, that for him, conventional visual mediums lack the expressive powers of programming, which led him to merge his two passions to create digital art.

Throughout his career, he has explored Artificial Intelligence and artificial life within the boundaries of the digital world. Sandison has decided to use language as a form of artificial life that can be programmed to grow, feed, and evolve like a biological organism. His works consist of digitally produced video installations that immerse visitors into a world of constantly evolving words, symbols, and letters that engage with each other, twisting and interlacing, fusing into different formations and breaking apart, moving with a perceived purpose producing a variety of imagery, almost as if they had a mind of their own as if they were very much alive. In Sandison’s own words: my work is a living system in which we exist in collaboration with an invisible demon.

Good and evil and yes and no, Charles Sandison (2019)

Viewers are an essential part of the projects as the characters and words are encoded to interact with each other and with the viewers pulling them into a conversation with the work. The characters and symbols at first seem to dance around erratically across building facades and gallery walls with no logic behind them. However, upon closer examination, one can observe a particular pattern of motion, a computer simulation of the patterns in different biological and societal systems.

The visual arrangements also convey ideas and narratives, demonstrating the transformative impacts of language. In a straightforward yet poetic way, the project shows that it’s not the only language that can be built on binary code, but our entire structure of thought lies in dualistic structures. Sandison seeks inspiration in many different facets of life, from nature to human history to modern-day reality and its challenges. Incorporating diverse influences, his work builds on the ideas of Conceptual art. It is often philosophical in nature, exploring various concepts about what constitutes life, humanity’s relationship to language, its possession of a sensorial experience. 

From October 3, Sandison’s site-specific installation will light up Conduit Street in London as part of Frieze Week 2019, about which he says: Every building façade in the world has an invisible language within it, and this site-specific work brings that narrative to the surface. I want to extend the existence of my artwork long enough to demand its passport and become sentient in its strange way.

(Media courtesy of the artist)
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