Text by Lyndsey Walsh The clattering of typewriter keys accompanies a rhythmic emergence of a written addressal by the artist Corinne to their audience in
Text by Tamar Torrance From the outset, Gill Gatfield’s Habeas Corpus casts the body as arbiter and object: both the first point of contact and
Text by Mila Azimonti There’s hardly anything neutral about adding visuals to a music performance. Images never merely “adorn sound” — research shows as much.
Text by Patrick Tanguay The MUTEK AI Ecologies Lab concluded with a public presentation and mini-conference at the MUTEK Forum, themed “Radical Rituals.” In the
Text by Juliette Wallace By descending into one’s inner depths, one encounters the future – Rilke Technology and the accelerating development of AI are having
Text by CLOT Magazine Kraków has long been the city where Unsound festival unfolds its complex cartographies of experimental sound, and this October 7 to
Text by Leoni Fischer A lady dressed in elegant black poses on a white pedestal amid a fantastical nature. Tall flower spikes rise from large
Text by Patrick Tanguay In one corner of the building, three rooms with people at keyboards, some in animated discussion. While they might appear to
Text by Patrick Tanguay As AI systems proliferate globally, their environmental footprint grows alarmingly [1]. Data centers powering these technologies consume electricity equivalent to small
Text by Elspeth Walker Our realities are often split between the physical and digital worlds, with the surfaces of both determining how we encounter life.
Interview by Daniela Silva Hiromi Marissa Ozaki, known as Sputniko!, is a British-Japanese artist, designer, and filmmaker whose work explores the intersections of technology, gender,
Text by Juliette Wallace On the 29th January the NASA space agency and their German partners from the Goethe University in Frankfurt discovered something fundamental
Text by Ania Mokrzycka It is with a certain feeling of urgency that I seek the nature, subject, words of the other story, the untold
Interview by Maria Orciuoli In the seminal 1968 Artforum essay ‘Systems Esthetics,’ [1] Jack Burnham proposed a view of art as a tool that extends
Text by CLOT Magazine At the ICA in London, Geumhyung Jeong’s Under Construction presented, from September to December 2024, a world where the boundaries between humans and machines are
Text by Gabriella Gasparini My first month in Paris was crowned by an encounter with the city’s aesthetic libidinality. As I entered its streets and
Text by Ludovica Bulciolu The land retreats, the water beneath her, turquoise and blue, as if an enormous sky had cried from the surrounding rocks
Text by CLOT Magazine Unsound Festival returns to Kraków from September 29 to October 6, 2024, embracing the bold and expansive theme of Noise. As
Throughout Xeno in Vivo, the scientists position CRISPR-enabled gene editing within this aeons-old history of selective breeding — the only mutation, they posit, is the speed at which evolution occurs.
Text by Sarah Mackenzie & Maurice Jones The 10th edition of MUTEK Forum – MUTEK’s annual assembly and showcase of the future of digital creativity
