OpEd: Resonating Selves & Quantified Perspectives (Part II)
Text by Manuela Naveau In computers, the “mathematical objectification” (…) never transforms back into a life-world sense, but at best, into contemplation or life of
Text by Manuela Naveau In computers, the “mathematical objectification” (…) never transforms back into a life-world sense, but at best, into contemplation or life of
Text by Manuela Naveau In computers, the “mathematical objectification” (…) never transforms back into a life-world sense, but at best, into contemplation or life of
Interview by CLOT Magazine The Interface Cultures Master programme at the University of Art and Design Linz, under the guidance of artist Christa Sommerer, has
Text by Juliette Wallace The “Decade of Restoration” (the title the United Nations gave to the last ten years of our ecosystems) has been rocky.
Text by CLOT Magazine Media artist Eli Joteva laid down in an MRI scanner for hours to obtain the material for her digital artwork IntraBeing.
Text by CLOT Magazine Leonardo/ISAST is participating this year at Ars Electronica with [Anti]disciplinary Topographies: Culturing transnational dialogue for creative hybridity, an Ars Electronica Garden
Text by Giulia Ottavia Frattini Ars Electronica is one of the leading events that brings together art, technology and society to shape a festival relevant
Text by CLOT Magazine Artist and researcher Albert Barqué-Duran and composer and musician Marc Marzenit are premiering today VESTIBULAR_1, an immersive audio-visual installation that induces
Text by CLOT Magazine From January 9 until March 2, 2020, scientists, technologists, artists, institutions, labs, and companies can submit their lighthouse projects for the
Text by CLOT Magazine Quantum physics is still somehow familiar, but at the same time, scientists have formulated completely abstract theories to explain the laws
Text by CLOT Magazine At first glance, Artificial Intelligence and music have little in common. Music is one of the most emotional art forms allowing
Text by CLOT Magazine The Ars Electronica was born in 1979 with the premise of providing room for experimentation, evaluation and reinvention. Later in 1987,
Text by CLOT Magazine The European ARTificial Intelligence Lab is a follow-up project to the European Digital Art and Science Network. It aims to offer
Interview by Bilge Hasdemir Maria Castellanos is an artist and researcher exploring relationships between body and technology in a number of significant art science projects.
Text by CLOT Magazine In a few days, on September 6th, the annual Ars Electronica festival in Linz, Austria, will once again open its doors
Text by CLOT Magazine Artist, co-founder of Theremidi Orchestra and member of the open source biological art platform Hackteria Network Robertina Šebjanič, was featured in
By CLOT Magazine Editors Whose Scalpel, Yen Tzu Chang, Music Hackspace, Somerset House Studios London, 9 August 2018 Taiwanese artist Yen Tzu Chang presents an artist talk followed
Text by CLOT Magazine Ars Electronica Festival once again brings creative, innovative minds to Austria for the 2018 Prix awards under the theme Error- the
Words by Ana Sancho In an era where technology-based solutions to everything seem to be the norm, where do we draw the line between meaning
Text by CLOT Magazine This September, The Ars Electronica Festival returned to Linz Austria for another rousing year. The annual festival of digital and new
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