Text by Rae (Mee-Jin) Tilly There is a prevailing notion that art and science are wholly separate fields. One discipline is seen as rooted in
Text by Dom Stevenson The Noise Went On, The Cup Was Dropped, The Speakers Were Stretched, The Bells Were Rung, The Building Shook, And The
Text by Mila Azimonti In a landscape where many city-format festivals devoted to sonic research are beginning to resemble one another, location becomes a decisive
Text by Rae (Mee-Jin) Tilly Science has a curious tension: it is simultaneously the most inaccessible and accessible field of academia for the general public
Text by Juliette Wallace Art Laboratory Berlin, one of the city’s first dedicated art/science spaces, never fails to produce fascinating, stimulating and often rather special
Text by CLOT Magazine Fermenting Textiles with Adama Séré, Laurence Douny, Regine Hengge, Pauline Agustoni, and Satomi Minoshima is a research project and exhibition at
Text by CLOT Magazine Water is the most abundant material on the planet. It comprises up to 73% of the human body and three-quarters of
Text by Martyn Riley Every festival has its very own personality. A mix of curation, demographic, place and where it lies in history. This was
Text by Juliette Wallace As technology continues to make its mark on the day to day, the art world is taking note. In a realm
Text by Olya Karlovich I vividly recall my first Berlin Atonal. I bought tickets on the advice of more progressive friends without having clear expectations
Text by Olya Karlovich Since its launch in 1982, Berlin Atonal has established itself as a stronghold of avant-garde electronic music and audiovisual art. Resisting
Text by Juliette Wallace Red, yellow, blue. Drip, drip, drip. Blue, yellow, red. Drip, drip, drip. Three elixirs are lined up on an altar, the
Text by Olya Karlovich This month, from July 6th to 9th, Heroines of Sound celebrates its 10th anniversary. Since 2014, Berlin’s festival team, led by
Text by Juliette Wallace What if art were made for all species? What would happen if the concept of an object’s value were spun on
Text by Olya Karlovich Sunday evening, sitting in an old-school chair of the Akademie der Künste’s auditorium, I am trying to focus on a collaborative
CLOT Magazine’s monthly highlights, recommendations and things to do, plus a few things on our playlist. This month from the editors-in-chief
Text by Olya Karlovich After two years of lockdown, CTM Festival is finally returning to its usual format, simultaneously unfolding a diverse range of IRL
Text by CLOT Magazine Membranes Out Of Order focuses on the practice of artists Margherita Pevere, Theresa Schubert and Karolina Żyniewicz. Bioart uses living materials
Text by Olya Karlovich New York-based artist Ian Cheng has been creating live simulations since 2012. He explores the human mind and “an agent’s ability
Text by Leoni Fischer We are our environment1. This short phrase opens up the full dimension of the multi-layered tensions between humans and the material
