OpEd: Resonating Selves & Quantified Perspectives (Part II)
Text by Manuela Naveau In computers, the “mathematical objectification” (…) never transforms back into a life-world sense, but at best, into contemplation or life of
Text by Manuela Naveau In computers, the “mathematical objectification” (…) never transforms back into a life-world sense, but at best, into contemplation or life of
Text by Manuela Naveau In computers, the “mathematical objectification” (…) never transforms back into a life-world sense, but at best, into contemplation or life of
Text by CLOT Magazine Is it possible to create a biological overview effect by shifting people’s perspective on the human body’s ecosystem? The Beauty of
Text by CLOT Magazine & Rachel Falconer BSc Digital Arts Computing is an innovative and interdisciplinary degree at the intersection of emergent technologies, fine art
Text by Katherine Jemima Hamilton While Kwon’s undertaking is grandiose, it is not naive that she would believe in the power of technology to usher
Text by Katherine Jemima Hamilton I first encountered Heesoo Kwon’s Leymusoom Universe in 2019 at her solo show Watertight Mesh in a basement gallery in
Text by CLOT Magazine Galerie Charlot Paris presents La Forme de l’eau, a poetic exhibition by artists Jaime de los Ríos and Marie-France Veyrat. Marie-France
Text by Katažyna Jankovska If a tree falls in a forest and no one is around to hear it, does it make a sound? Commonly
Text by Irem Erkin Today it is possible to dream and imagine in pixels, compose them in harmony through codes and algorithms, and finally download
Text by Fiona Glen A cluster of white geometric pillars that resembles a technological acropolis or the idealised spaceship interiors in 20th-century sci-fi – sterile
Text by CLOT Magazine In the last years, the experimental music and sound art scenes have may suffered an excess of conceptualisation and the need
Interview by Daniela Silva Lívia Nolasco-Rózsás is a curator and researcher from Hungary with work developed at international contemporary and media art institutions. Her interest
Text by Ameera Kawash In a well-known scene from It’s never sunny in Philadelphia (2016), Danny Devito plays Ongo Gablogian, an “aht” collector that sashays
Text by Leoni Fischer As the grand finale of the exhibition Under the Viral Shadow at Art Laboratory Berlin, the conference held on October 9
Words by Lyndsey Walsh It is clearer now more than ever that the language of the virus has spread its infection throughout the body of
Text by CLOT Magazine As part of Future Art Ecosystems: Art x Metaverse’s exploration into virtual experiences and the infrastructure necessary to support evolving art
Text by CLOT Magazine Sturm&Drang, a new exhibition at Osservatorio Fondazione Prada, explores Computer-generated imagery (CGI) practices, experiences, and environments. CGI is the creation of
Text by Lyndsey Walsh Whether it be in flocks of birds, schoolings of fish or even herds of mammals, individuals who come together seem to
Text by Giulia Ottavia Frattini In 2018, the artist Sasha R. Gregor set off on the world’s longest railway route aboard the “Rossiya” train. This
Text by Maren Häußermann The pendulums swing back and forth in an endless movement. All three pass in perfect adjustment through holes in a hollow
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