Text by CLOT Magazine Digital Arts Computing BSc’s degree students are presenting the exhibition Ephemerence from 5th to 8th May 2022. In a show that
Text by CLOT Magazine RE—TEXTURED, the festival with an emphasis on an arresting visual and sonic experience, as the team describes it, is back in
Text by CLOT Magazine On February the 3rd, London FOLD’s in-house arts platform Futur.Shock will present an evening of sonic experimentation, electro-acoustic instrumentation and live
Text by CLOT Magazine This Sunday 22 January, SWEET DEBRIS launches an event series that will be dispersed throughout 2022 at Equivalentbehaviour, a gallery space
Text by CLOT Magazine Most Dismal Swamp, one of the most exciting multidisciplinary projects in the mycelium of London’s experimental underground scene, is launching its
Text by CLOT Magazine Next Saturday 16th October, IKLECTIK are presenting an exquisite night of experimental sounds with Berlin-based Floating Spectrum and Simon Fisher Turner.
Text by CLOT Magazine Celebrating five years of supporting boundary-pushing creative talent, Somerset House Studios will open its doors for the first large-scale event post-pandemic with their annual AGM event on
Text by Piotr Bockowski Closed in the solitary of her West End studio, Chinese dancer WenZhe Li has been shedding her skin. Infamous for her
Text by CLOT Magazine Erin Solomons is an artist who uses bodily performance and analogue photography to investigate childhood trauma by emphasising boundaries between the
Text by CLOT Magazine Institut is the first art-world-led platform for NFTs committed to showcasing high-quality, curated artworks. Founded by Joe Kennedy and Jonny Burt,
Text by CLOT Magazine Gene Kogan is an artist and programmer interested in generative systems, computer science, and software for creativity and self-expression. He collaborates
Text by CLOT Magazine Places to Intervene is an art-research exhibition at Lumen Crypt Gallery, St John on Bethnal Green (London) that takes place from
Text by CLOT Magazine This Saturday, 31st July, at Space 289 in London, coincident with the venue launch weekend, musician and experimental producer Maxwell Sterling
Text by Piotr Bockowski Fungal activity has been complicit in the undercurrents of Victorian sewage that swallowed the source of Hackney Brook, one of the
Text by Piotr Bockowski In the dawn of the past winter solstice, as London was collapsing into the third lockdown, I decided to indulge in
Text by CLT Magazine Ai-Da, named after Ada Lovelace, is an artificial intelligence robot that makes drawings, paintings, and sculptures. She is a humanoid with
Words by Agata Kik Suspensions can be characterised as passages, cracks, intervals, and interstices within the institutionally gridded space-times of neoliberal capitalism. Suspensions are both
Text by Laura Netz KIMA was founded in 2010 as a collaborative project to enable a collaborative approach to creating performances and installations between artists,
Text by CLOT Magazine What kind of choreographic arrangements can we compose to put diverse thinkers and practitioners in relation to one another? What kinds
Text by CLOT Magazine Jon Wozencroft, one of the founders of the legendary experimental imprint Touch, developed his sound seminars in the late 1980s to
News | Interviews | Op & Ed | Series | Audio
Careers | Advertise & Partnerships | CLOT Media
Contact | Private policy | About
