
Digital Priestesses & Chimeric Computing: Heesoo Kwon’s Leymusoom is a Cyborgian Goddess (Part 2)
Text by Katherine Jemima Hamilton While Kwon’s undertaking is grandiose, it is not naive that she would believe in the power of technology to usher
Text by Katherine Jemima Hamilton While Kwon’s undertaking is grandiose, it is not naive that she would believe in the power of technology to usher
Text by Katherine Jemima Hamilton I first encountered Heesoo Kwon’s Leymusoom Universe in 2019 at her solo show Watertight Mesh in a basement gallery in
Text by Olya Karlovich We feel sound with our bodies. Our auditory system, skin, brain and other internal organs all perceive sound signals from the
Text by Katažyna Jankovska What’s it like to reimagine ancient divination practices through the lens of new technology? When faced with uncertainty, people throughout time
Interview by Agata Kik Soojin Chang is a Glasgow-based non-binary artist of Korean descent whose multimedia art practice considers interpersonal, interspecies and industrial interdependencies. Inhabiting
Text by CLOT Magazine We are presenting Kueeng, an intimate and personal audiovisual work by artist and creative director Ana Sting and DJ and producer
Interview Miguel Isaza In electronic music, there is room for movement and stillness, machine and organism, continuity and detention. Immersing into the world of music
Interview by Christopher Michael Emmett Palaima is a multimedia artist whose work explores electricity as a divine force, analysing modern technology through an innately spiritual
Text by Miguel Isaza Electronic music is not a genre, nor is really a style, nor is it limited to a series of technical methods.
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