Call for applications: MFA Art & Technology / Sound Practices at the School of the Art Institute of Chicago

Text by CLOT Magazine




The School of the Art Institute of Chicago (SAIC) is one of the USA’s oldest accredited independent art and design schools. It was founded as the Chicago Academy of Design in 1866 and has since provided its students with a challenging education in the studio arts, as well as exhibition opportunities.


At SAIC, students have the unique opportunity to pioneer future-facing works in a dynamic learning environment. The AT/SP faculty are visionary artists with national and international reputations who take an inclusive and critical approach to the technological and sonic arts. They encourage rigorous practice informed by robust research, iterative hands-on experimentation, and the interrogation of diverse histories, theories, and strategies.


Artists’ explorations of the complex social, historical, cultural, and global dynamics involving our bodies, our senses, and technology are constantly evolving, and this is reflected in the wide range of topics that AT/SP embraces. Students can focus on any of these areas or explore their hybrid, interdisciplinary possibilities. SAIC’s ever-evolving range of courses is designed to provide students with an immersive, thorough, and critically engaged course of study from a global perspective, connecting them to the international art community. 


Entering graduate students take introductory seminars on technology and/or sound that form a critical and inclusive foundation for their studies and a cohesive community among their peers. The faculty’s ongoing research and evolving practices lead them to conduct an ever-changing range of contemporary seminar topics. Recent topics include Anxious Media Ecologies, Art & Biotechnology, Out-Voicing, Philosophy of Technology, and Ears for Cinema.  Graduates of the program are well-prepared for careers in various fields, including fine arts, media arts, sound design, and technology-based art practices.


Additionally, since 2018, the department has participated continuously in the international Ars Electronica festival in Linz, Austria. Each year, graduate students are considered for this opportunity by an external curator working with the department.


Students have access to a wealth of digital and analog resources, purpose-built labs and studios, and expert support staff. These facilitate a wide range of practices, including creative coding, sound art, olfactory art, bio art, experimental music, acoustic ecology, installation, performance, AR, VR, games, kinetics, neon, holography, electronics, and more. This DIY and hacking philosophy is embodied throughout the curriculum, and works produced are often interactive, immersive, multisensory or hybrids of retro and cutting-edge technologies. This global perspective enables students to explore a wide-ranging, interdisciplinary path or take a focused approach to specific media, disciplines, or topics within the AT/SP ecosystem, fostering rigorous experimentation, skills-based learning, and conceptual investigation to prepare students to be creative and productive cultural citizens. 


SAIC offers a priority application deadline of December 1 with a reduced application fee. The final application deadline is January 10, 2026. Learn more and apply at saic.edu/atsp.









Website https://www.saic.edu/
(Media courtesy of SAIC)
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