Text by Hannah van den Elzen We are living in turbulent times. The present feeling haunted by catastrophe: genocide, ecocide, the violence of Big Tech,
Text by Meritxell Rosell There is something quietly fierce about building a festival around fragility. In the current global state of affairs, which rewards hardness,
Text by Irem Erkin Materia Prima, in Latin ‘raw matter‘ or ‘first material,’ is the theme of the second issue of Tekhnē journal. Materia Prima
Text by Jacobo García There is a building in Gijón that has experienced several lives. A Francoist vocational school, an emblem of post-industrial reconversion, a
Text by Davide Bevilacqua & Martina Pizzigoni In times of AI-aided war, what are the cultural forms that help us understand and perhaps challenge the
Interview by Neshy Denton Even as Abul Mogard has gradually drifted from the protective fiction that once defined his musical arena, it feels like that
Text by Dom Stevenson What begins as necessity – working without access, infrastructure, or permission – becomes something else: a way of engaging with tools,
Text by Meritxell Rosell A lone body moves through urban spaces, dark and dimly lit; the body’s gracile and strong gestures fold between control and
Text by Mila Azimonti I have learned and dismantled all the words in order to draw from them a single word: Home [1]. Fragments by
Text by Dom Stevenson The next mixtape instalment comes from Barcelona-based artist Roc Jiménez de Cisneros – one half of EVOL, the long-running project with
Text by Meritxell Rosell A pale face floats inside a sphere, lips moving and synching in syllables you can’t fully decipher. It feels urgent, insistent,
Text by Dom Stevenson The next mixtape instalment comes from Vanity Productions, the alias of Danish experimental musician Christian Stadsgaard, whose work navigates the fragile
Text by Iris Colomb Mike McShane makes sculptures out of aluminium, silicone, prosthetics, kebab boxes and air. Benjamin Whateley is a developer and computer musician
Text by Mila Azimonti Which feels more familiar: technocratic confidence or prophetic inevitabilism? When we speak about technology, we tend to fall into one of
Text by Mila Azimonti Curating musical expressions today can be an important calling.[i] The line catches me while I drift through Politics of Curatorship,[ii] picked
Interview by Neshy Denton If there were to be a bridge between the random spontaneity of jazz and the metronomic precision of a clock, we’d
Text by Dom Stevenson At a moment when music videos often chase algorithmic circulation, Iljal moves slower and with greater structural intent. The work is
Text by Iris Colomb Ningrui Liu (aka Akira) is a multidisciplinary London-based artist from Shanghai who uses the I Ching as a compositional framework to
Text by CLOT Magazine The School of the Art Institute of Chicago (SAIC) is one of the USA’s oldest accredited independent art and design schools.
Text by Jacobo Garcia Semibreve reached its 15th edition this year, a symbolic threshold that speaks of maturity: a festival that knows what it is,
