L.E.V. Matadero 2025: The Day After, when performance meets the machine

Text by Jacobo García Our contemporary life is wholly embedded in screens; there is a screen on the treadmill in the gym, multiple screens in the car we drive to get there, and a screen on our wrist, where a clock used to sit. Our screen-equipped phone faithfully reminds us of how many hours we […]

Insight: Metamorph of Mihai Barabancea, Balkan simulacra in Post-Internet Eastern Bloc

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Text by Piotr Bockowski Mihai Barabancea’s photo-image practice is a testimony to his adventurous method of “Balkanic Futurism”, which aims beyond the art of photography, or visual art in general, by indulging in excessive experiments with urban anthropology; testifying to extreme lifestyles, weird behaviours or monstrous beauty of city outcasts on the streets of Bucharest […]

YEHWAN SONG, crafting anti-friendly webs for a more expressive Internet

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Interview by Daniela Silva In an era where digital interfaces are increasingly streamlined for speed and efficiency, Korean artist and web designer Yehwan Song invites us to reconsider our relationship with the internet. Her work challenges the conventions of user-centered design by embracing discomfort and unpredictability, urging users to engage more deeply with digital spaces. […]

Unsound Kraków 2025: WEB entanglements -Highlights

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Text by CLOT Magazine Kraków has long been the city where Unsound festival unfolds its complex cartographies of experimental sound, and this October 7 to 12, it returns with a new theme: WEB. If last year’s Noise edition was about rupture and abrasion, this year shifts the focus toward entanglement, mapping how artists, genres, geographies, and […]

Festival: L.E.V. Matadero 2025, an experimental view of electronic sound creations, audiovisual & extended realities in Madrid, Spain

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Text by CLOT Magazine Since 2019, L.E.V., the International Festival of Audiovisual Creation of Gijón, has expanded its reach to Matadero Madrid (Spain).  L.E.V. Matadero, known for showcasing experimental electronic music, digital art, and extended realities, returns to Madrid for its seventh edition from September 18 to 21  to explore the intersection of technology, sound, […]

CTM x ICA London 2025: sonic invocations & expansive futures

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Text by CLOT Magazine The London Institute of Contemporary Arts (ICA) once again will become a vessel for CTM Festival’s exploratory ethos from 4 to 6 September 2025. For their third collaboration, CTM x ICA have staged three nights that traverse fractured rhythms, spectral folk, and disjointed narratives, drawing together artists who stretch the limits […]

Berlin Atonal 2025 Highlights: how a space can hold art, music, bodies & histories

Berlin Atonal 25 Identity in Cooperation with HIT. (c) HIT and Berlin Atonal

Text by Mila Azimonti In a landscape where many city-format festivals devoted to sonic research are beginning to resemble one another, location becomes a decisive marker. Kraftwerk looms above them all—a structure steeped in predatory stillness, its grey concrete slabs and vertebral pillars holding an echo stretched taut as wire. Into this vast, mortared carcass, […]

Designing Sustainable AI: Inside the MUTEK AI Ecologies Lab (Part 2)

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Text by Patrick Tanguay In one corner of the building, three rooms with people at keyboards, some in animated discussion. While they might appear to be doing ordinary computer work, they’re actually creating 3D worlds, developing emotionally responsive digital creatures, and building tools to measure environmental impact. Moving through the rooms, you spot unusual equipment: […]

Biennale: Biennale Danza 2025, artistic innovation & critical research on the intersection between body, technology & choreography

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Text by Irem Erkin The 19th International Festival of Contemporary Dance will take place from July 17 to August 2, 2025, under the artistic direction of Wayne McGregor. Past themes have focused on the uniqueness of our physical intelligence, including Touch, Interaction, Interoception (the chemical self), and Sensation. This year’s edition continues La Biennale’s commitment […]

Label feature: Modern Obscure Music, reframing sound as art

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Text by Mila Azimonti Music is the only art form that vanishes as it is experienced, which is a bit of an ontological crisis if you think about it. Unlike painting or sculpture, which exist in space as static forms, music unfolds in time, making it more abstract, contingent on performance, acoustics, and context. Its […]

Toward an Ecological AI: Introducing MUTEK’s AI Ecologies Lab (Part 1)

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Text by Patrick Tanguay As AI systems proliferate globally, their environmental footprint grows alarmingly [1]. Data centers powering these technologies consume electricity equivalent to small nations and billions of gallons of water annually. This impact extends to all AI-using sectors, including arts and culture. Artists now face a challenge: how can they harness AI’s creative […]

CIRCLE, dissolving boundaries through a dodecahedron

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Interview by Neshy Denton There’s a moment where repetition becomes barely perceptible. It sort of stops being a pattern and reforms into the arms of a ritual. No longer craving your teasing attention, the notion of time bleeds into stretched insignificance. The band Circle inhabits that slight shift, where structure slowly unravels and instinct begins […]

‘Fermenting Textiles’, an intimate portrait of the act of mud-dyeing fabrics that opens a dialogue in the field of fabric colouring

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Text by Juliette Wallace Art Laboratory Berlin, one of the city’s first dedicated art/science spaces, never fails to produce fascinating, stimulating and often rather special exhibitions. Fermenting Textiles is no exception.  An intimate portrait of an action both gestural and practical, the act of mud-dyeing fabrics opens a dialogue across continents and ages – from […]