Amy Sands’ ‘Lace Reimagined’, how to create lace patterns from digitised images
Text by Anne Murray In these turbulent times, Amy Sands’ paper and transparent acrylic works, along with her Bobbin Lace Fence Project – Projection Mapping,
Text by Anne Murray In these turbulent times, Amy Sands’ paper and transparent acrylic works, along with her Bobbin Lace Fence Project – Projection Mapping,
Text by Anne Murray Éva Mayer’s exhibition at Ani Molnár Gallery in Budapest, curated by Lili Boros, delves into the limbic space of fertility, hope,
Text by Nicholas Burman In the heavily automated, networked “internet of things” future we’re unevenly rattling towards, there’ll be an increasing amount of discussion about
Interview by Griffin Martell The pseudonymous digital art provocateur Kid Xanthrax exists at the periphery of cyberculture, invoking irreverence for commercial, fine art “practice” through
Text by Silvia Iacovcich For the new media artist collective BREAKFAST, the past three years have been an exciting sequence of projects blossoming worldwide. The
Curator Alice Scope, words Michael Barth, visual Areyes Studio This research is a collaboration between artists from the USA, Ukraine, South Korea, England, and Germany.
Text by Maren Häußermann The pendulums swing back and forth in an endless movement. All three pass in perfect adjustment through holes in a hollow
Text by Anne Murray Memories are constructions. We build them out of fragmented details. These details can be found in different parts of the brain;
Text by Silvia Iacovcich We have heard it many times from our yoga teachers, holistic doctors, and various unofficial and scientifically tenuous channels. But does
Text by Piotr Bockowski In the dawn of the past winter solstice, as London was collapsing into the third lockdown, I decided to indulge in
Text by Elaine Tam To drive is not just to be at the wheel of a car, helm of a ship, conductor- or directorship, but
Text by Joe banks “Architecture in general is frozen music” – Friedrich von Schelling The Theophany sound installation by artist project Disinformation is a work
Words by Nicholas Burman The 2020 edition of BFI’s London Film Festival presented the institution with two challenges: how to have a festival in the
Words by Charlotte Kent Phreaking started in the 1950s and was slang for exploring and messing with the telecommunication system. Some curious users dialled around,
Words by Charlotte Kent Some argue mail art waned in the 1990s when the internet provided an alternate collaborative space, suggesting it is a kind
Words by Charlotte Kent The creativity of culture has no outcome, no conclusion. It does not result in art works, artifacts, products. Creativity is a
Text by Joe Banks The effects could well be called unprecedented, magnificent, beautiful, stupendous, and terrifying. No man-made phenomenon of such tremendous power had ever
Text by Charlotte Kent I walked through a painting studio to get into my VR set up and attend the (re)opening of XR artist Carla
Words by Charlotte Kent Email exhibition is the transcoding this moment calls for. How could the email, in all its mundane glory, not become an
Words by Simona Serban Today’s architecture is significantly different compared to previous styles, mainly because the challenges the planet faces have finally gotten some of
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