CHRNBL Forum 2021: The Day After
22 Oct, 2021
Text by CLOT Magazine On October 6 to 10, 2021, liquidators, scientists, experts and representatives of public, state and cultural institutions of Ukraine, the USA,
Text by CLOT Magazine On October 6 to 10, 2021, liquidators, scientists, experts and representatives of public, state and cultural institutions of Ukraine, the USA,
Text by Leoni Fischer As the grand finale of the exhibition Under the Viral Shadow at Art Laboratory Berlin, the conference held on October 9
Words by Agata Kik Amoenus has turned IKLECTIK Art Lab into an Ambisonic setup this year, immersed in an amalgam of audio effects. In an
Text by Simon Coates The past fifteen years or so has seen the traditionally uneasy relationship between the realms of science and the arts undergo
Words by Lyndsey Walsh It is clearer now more than ever that the language of the virus has spread its infection throughout the body of
Text by Piotr Bockowski Closed in the solitary of her West End studio, Chinese dancer WenZhe Li has been shedding her skin. Infamous for her
Text by Charlotte Kent This summer, I saw works of tangled bodies everywhere. There is a craving for skin contact as well as anxiety about
Text by Piotr Bockowski An obsolete Soviet power plant in East Berlin has become a multimedia vehicle to the city’s origin this summer. Infamous for
Text by Maurizio De Caro There is something magical in Eleonora Orlandi’s educational and creative path. A young “architettrice” who, after some cultural nomadism (Prague,
Text by Anne Murray The video work Seil (Rope, 27’30“, 2016)1 grabs my attention from the back of the gallery as I enter. I am
Text by Charlotte Kent A hallmark of digital art has been the democratising principles of decentralisation and shared ownership. Smart contracts have been at the
Text by Charlotte Kent Ownership of certain kinds of tokens on the Ethereum blockchain, known as “social tokens,” can act as an investment in an
Text by Anne Murray In these turbulent times, Amy Sands’ paper and transparent acrylic works, along with her Bobbin Lace Fence Project – Projection Mapping,
Text by Lyndsey Walsh Whether it be in flocks of birds, schoolings of fish or even herds of mammals, individuals who come together seem to
Text by Michaela Büsse & Benjamin Burger Between 01.-03.03.2019, a group of 50 artists, creatives, activists and researchers gathered for the first edition of OTHERWISE–
Text by Anne Murray Éva Mayer’s exhibition at Ani Molnár Gallery in Budapest, curated by Lili Boros, delves into the limbic space of fertility, hope,
Text by Charlotte Kent Auction houses certainly provide a service to the art industry, but their secondary market foundation makes them perhaps not the ideal
Text by Piotr Bockowski Fungal activity has been complicit in the undercurrents of Victorian sewage that swallowed the source of Hackney Brook, one of the
Text by Charlotte Kent I’m sitting at the computer during the Spring Equinox on a glorious day when any number of people I know are
Text by Charlotte Kent Questions of high and low art, aesthetics, and curation arise when talking about blockchain and art because many in the art