Interview by Christopher Michael The 21st century’s first two and a half decades have primarily been defined by a conflation of corporate, public, and private
Text by CLOT Magazine Dr Rebecca Fiebrink is a Professor of Creative Computing at the UAL Creative Computing Institute in London. Inventor of the Wekinator,
Interview by Agata Kik Multimedia artist Kristin McIver dives deep into the digital seas to explore environmental emergencies and the epistemological crisis of the XXI
Text by CLOT Magazine Artist Frederik De Wilde gravitates towards un/under-explored crossovers between art and science and, by extension, technology. For him, both art and
Words by Lula Criado & Meritxell Rosell In his seminal 1964 work Understanding Media, philosopher and media theorist Marshall McLuhan claimed that the medium through
Words by Lucy Hunter Before he trained his appetite to edible fare, Cookie Monster devoured computers. In 1967, two years before Sesame Street hit the
Interview Agata Kik Nye Thompson is a London-based artist whose technology-driven creativity stems from her expertise of 20+ years in the commercial software industry. Having
Text by CLOT Magazine OMM – Odunpazarı Modern Art Foundation was founded in 2019 with the aim of contributing to the development of art education,
Text by Lidia Ratoi We live in an Epoque of great distances. Great distance between us and our native places. Or between us and our
Text by CLOT Magazine Thinking about the appeal of the minimalism of code, when artists began to explore computers as a medium in the 1950s,
Interview by Jack Apollo George Technology is normally seen as cold when nature is warm. It is angular when the natural world seeks to find
Text by Davide Piscitelli The short film The Red Balloon (1956) depicts the relationship between a young Pascal Lamorisse and his red balloon. From the
Text by Davide Piscitelli The Myth of the Sentient Machine Over the last 60 years, the development of Artificial Intelligence (AI) has raised new ethical
