Text by CLOT Magazine Mind the Deep: Artificial Intelligence and Artistic Creation, a new exhibition on artificial intelligence, opens on November 7 to February 9,
Text by CLOT Magazine Poet and performer Anne-James Chaton and electronic musician Carsten Nicolai aka Alva Noto, perform their new multimedia project, ALPHABET, an exploration
Text by Agata Kik To be more than a human means to be more than his brain, to be more than the cognitive self. It
Interview by Allan Gardner Dasha Loyko is an artist and writer currently based in London. Having only just graduated from the Royal College of Art,
Text by Daniel Mackenzie Remember when data was a somewhat mysterious but specific collection of figures and potential facts that existed on actual paper or
Text by CLOT Magazine synthesis gallery is a first-of-its-kind space dedicated to the VR artform. A fusion of technology and art, it brings immersive virtual
Interview by Laura Netz Casey Reas writes software to explore emergent systems, and his work spans installation, works on paper, and live performance. From works
Text by CLOT Magazine Artists Hannah Scott and Maria Macc present on June 13 the installation All At Sea at Lumen Crypt Gallery, St John
Text by CLOT Magazine Choreographic Coding Lab Amsterdam 2019 is an experimental laboratory for dance and coding happening in Amsterdam from 26 to 30 May
Text by CLOT Magazine Migration is a Los Angeles-based creative institution specialising in experimental sensorial events influenced by technology, art and sound. One of their
Interview by Lidia Ratoi Nothing in this (digital) world is true. And Ben Grosser understands this. True to his own circuit-bending philosophy, Ben Grosser uses
Text by CLOT Magazine Dataatadata: Everything and Nothing is an immersive sound installation created by Brooklyn-based artists Chris Klapper and Patrick Gallagher at The Invisible
Text by CLOT Magazine Ryoji Ikeda was back at the Barbican for a dual show. Both parts are contrasting but complementary to the work of
Text by CLOT Magazine Opening on the 20th of October, Open Codes presents their second exhibition project, ‘The World as a Field of Data’, a
By CLOT Magazine’s directing editors Dawns, Mine, Crystal, Yunchul Kim, Korean Cultural Centre London, 18 September – 3 November 2018 The Korean Cultural Centre, London (KCCUK) presents Dawns, Mine,
Interview by Marielle Saums Chris Cheung (h0nh1m) harnesses chaotic matter within the architectural constraints of his installations and audiovisual performances. The Hong Kong-based artist and
Words by Lula Criado Professor Matthew Woolhouse, digital humanist and researcher at the McMaster Institute for Music and the Mind at McMaster University, is leading Nokia* funded
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