
KAY WATSON & EVA JÄGER, steering Serpentine’s ‘Arts Technologies’ programme
Interview by Lula Criado & Meritxell Rosell In the dynamic world of contemporary art, the fusion of creativity and technology ignites a canvas where boundaries

Interview by Lula Criado & Meritxell Rosell In the dynamic world of contemporary art, the fusion of creativity and technology ignites a canvas where boundaries

Text by CLOT Magazine The Galeria Municipal do Porto presents exhibitions that reflect on recent trends in contemporary artistic and discursive production; they aim to

Text by CLOT Magazine Serpentine Arts Technologies are Launching today their third annual strategic briefing. Future Art Ecosystems 3 (FAE3): Art x Decentralized Tech provides

Text by Nathalia Dutra Maciel Serpentine’s long-term interdisciplinary artistic programme Back to Earth is a multi-year project that invites over 60 leading figures in art,

Text by Charlie Clark Over 100 years ago, the celebrated fiction writer H.G. Wells wrote one of the first science fiction novels to explore relations

Text by CLOT Magazine Serpentine Galleries kick-off 2022 with a multi-layered project with the internationally acclaimed artist KAWS developed in collaboration with Acute Art and

Text by CLOT Magazine Cooking Sections —established in London in 2013 by Daniel Fernández Pascual and Alon Schwabe— examines the systems that organise the world

Text by CLOT Magazine As part of Future Art Ecosystems: Art x Metaverse’s exploration into virtual experiences and the infrastructure necessary to support evolving art

Text by CLOT Magazine Serpentine Arts Technologies will present Future Art Ecosystems 2 and discuss the metaverse and the opportunities and challenges facing artists, producers

Text by CLOT Magazine We know it; the world has gone bitcoin, cryptocurrency, and blockchain crazy. Every day around us. Terms can be confusing, but

Text by CLOT Magazine A fourth edition in the series The Shape of a Circle in the Mind of a Fish is taking place this weekend

Text by CLOT Magazine The Serpentine is making a big effort to set proper working frameworks for the art, science and technology disciplines with support

Text by CLOT Magazine The Serpentine is launching two ambitious creative initiatives tomorrow, the Future Art Ecosystems and the Creative AI Lab, emerging as part

Interview by Simona Serban What is most striking about Studio Formafantasma is their incredible inclination to wonder at the natural world and it’s biological, chemical,

Text by CLOT Magazine Andrea Trimarchi and Simone Farresin are behind Formafantasma, an Italian design studio based in Amsterdam. Their work examines the design’s ecological

Text by CLOT Magazine Formafantasma returns to the Serpentine Galleries in London with their upcoming exhibition Cambio, the third exhibition of design in the Serpentine’s

Text by CLOT Magazine Cao Fei is a multimedia artist and filmmaker based in Beijing. Her work reflects on the rapid and chaotic changes that

Text by CLOT Magazine Catharsis, an exhibition by Danish artist Jakob Kudsk Steensen, is open at the Serpentine Galleries London. It is an immersive digital

Text by CLOT Magazine Reshape the relationship between technologies and contemporary society, stimulating the potential for a new collective consciousness: this is the core idea

Text by CLOT Magazine Serpentine Augmented Architecture, opening on July 12 in the Serpentine Galleries, is a first-of-its-kind commission by the Serpentine Galleries in collaboration