Interview by Giulia Ottavia Frattini Technology is frequently positioned as an element of progress that proceeds like a flaming arrow in time, somehow superseding the
Text by CLOT Magazine I endeavour to demonstrate the fundamental change of technological and societal landscape derived from the pandemic by a diverse array of
Text by CLOT Magazine During the last week of October 2021, Sónar will present nearly 100 activities, spread between the new AI and Music S+T+ARTS
Text by CLOT Magazine Last Saturday, the international interdisciplinary online conference Under the Viral Shadow Art Laboratory Berlin (ALB) explored various biological, cybernetic and social networks in
Text by Piotr Bockowski An obsolete Soviet power plant in East Berlin has become a multimedia vehicle to the city’s origin this summer. Infamous for
Text by CLOT Magazine Proof of Stake – Technological Claims is a group exhibition initiated by the Kunstverein in Hamburg and artist Simon Denny that reflects
Text by CLOT Magazine Gene Kogan is an artist and programmer interested in generative systems, computer science, and software for creativity and self-expression. He collaborates
Text by CLOT Magazine Caroline Sinders is a critical designer, artist, and human rights researcher trained as a photojournalist and photographer. She has examined the
Interview by Leoni Fischer If we continue to restrict ourselves to viewing nature as a domain, work tool, or material, rather than a partner, everything
Interview by Daniela Silva Error-43 are a group of architects with a common interest: merging humans and machines organically. Starting from this concept, the ERROR-43
Interview by Silvia Iacovcich Multi-sensory artist David Yann Robert doesn’t fit the mould of the traditional artist. His kaleidoscopic career has taken many directions that
Text by CLOT Magazine [Un]seen Warsaw is a virtual exhibition produced and curated by the artist Ivona Tau. It aims to show Poland’s capital in
Interview by Maren Häußermann Emanuel Gollob is an Austrian artist who uses artificial intelligence to make his audience “do nothing”. The idea behind the project
Text by CLOT Magazine LABoral Centro de Arte y Creación Industrial, a multidisciplinary institution that promotes access to transversal forms of knowledge and creative use
Text by Ana Prendes The past decades have seen an extraordinarily intense experimentation period by incorporating new media into the performing arts. Adapting to worldwide
Text by Ana Prendes Here we go again; no museums, no galleries, no exhibition openings, no art fairs, no art studio visits. New lockdown restrictions
Text by CLOT Magazine Immaterial/Re-material: A Brief History of Computing Art is a wide-ranging overview of the evolution of computing art from the 1960s to
Text by CLOT Magazine On the occasion of Berlin Science Week 2020 and presented by Light Art Space (LAS), artist and researcher Libby Heaney will
Text by CLOT Magazine Through video installations, three-dimensional animations, mirror tiles, multimedia interactive installations, electronic games and other forms, AI: Love and Artificial Intelligence focuses
Words by Charlotte Kent Phreaking started in the 1950s and was slang for exploring and messing with the telecommunication system. Some curious users dialled around,
