The power of data: How AI is revolutionising design
Text by Daniela Silva AI (Artificial Intelligence) is a branch of computer science that focuses on creating machines or software that can perform tasks that
Text by Daniela Silva AI (Artificial Intelligence) is a branch of computer science that focuses on creating machines or software that can perform tasks that
Text by CLOT Magazine On June 6-7, Biofabricate, the annual summit on grown materials, returns to New Lab in Brooklyn to celebrate the first in-person
Text by CLOT Magazine The Bio Art & Design (BAD) Award* aims to stimulate emerging designers and artists to delve into the world of bio
Text by CLOT Magazine Hangar, Bioart Society, Kersnikova Institute, and Cultivamos Cultura are leading Biofriction, a Creative Europe project devoted to supporting Bioart and Biohacking
Text by CLOT Magazine MOGU is an innovative, eco-friendly company that is completely changing the face of product design. Its core belief is that Nature
Text by Živa Brglez Transdisciplinary, research, creativity, collaboration, bio-… there are just some of the keywords that pop-up very often, maybe too often, when we
Text by Kirsi Niinimäki, Camilla Groth & Pirjo Kääriäinen New Silk is a 4-year material research project conducted at Aalto University aiming to produce new
Interview by Živa Brglez Since roughly the middle of the 20th century, the concept of creativity has been popularly viewed as a constitutive part of
Text by CLOT Magazine Water and water pollution are becoming a central focus of artistic research. There is an exponentially growing number of initiatives, exhibitions and
Interview by Živa Brglez In the world of all kinds of alienations, in the world of spectacles, where everything that was directly lived is now
Text by CLOT Magazine This Thursday 13 Biofabricate, the annual summit on grown materials, comes to New Lab in Brooklyn to celebrate its fifth anniversary.
Interview by Tina Gorjanc In the past couple of years, the discipline of material innovation has seen an increasing number of interdisciplinary collaborations, which are
Words by Lidia Ratoi 3D Printing is an increasingly popular fabrication technique – we are witnessing many materials, from plastic to bio-resin, machines such as
Interview by Tina Gorjanc Over the last couple of years, the fashion and textile industry has taken a great interest in the new possibilities that
Text by CLOT Magazine Tomorrow’s materials will be smarter, stronger, more dynamic and less ecologically damaging. But how will future materials change the design of
Text by CLOT Magazine In 1995, Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the
Text by CLOT Magazine Every September London Design Festival takes over London with a nine-day celebration comprising of over 400 different events, exhibitions and installations.
By CLOT Magazine’s directing editors Dawns, Mine, Crystal, Yunchul Kim, Korean Cultural Centre London, 18 September – 3 November 2018 The Korean Cultural Centre, London (KCCUK) presents Dawns, Mine,
Interview by Isabella Ampil When Anastasia Pistofidou moved from Greece to Spain in 2010 to study at the Institute for Advanced Architecture of Catalonia (IAAC),
Text by CLOT Magazine Carole Collet, Professor in Design for Sustainable Futures at Central Saint Martins, London -and previously featured in CLOT Magazine- has conducted
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