Digital Biennale: The Wrong 2019
1 Dec, 2019
Text by CLOT Magazine The 4th edition of The Wrong Biennale opened on November 1, 2019, featuring 18o+ curators, 2.ooo+ artists in 15o+ pavilions, embassies
Text by CLOT Magazine The 4th edition of The Wrong Biennale opened on November 1, 2019, featuring 18o+ curators, 2.ooo+ artists in 15o+ pavilions, embassies
Text by CLOT Magazine Digital collections, augmented reality showrooms, computer-generated influencers such as the omnipresent Lil Miquela, virtual avatars and digital collections designed for these
Text by Laura Netz The work in The Underlying utilises live sentiment analysis of online news production and social media, relating to BPA’s (Bisphenol A*)
Interview by Adriana Ciotau The nature of technology is explored in Greg Lynn’s practice in a way in which technology changes the way we perceive
Interview by Živa Brglez When we are thinking about relationships between ourselves and technology, one thing tends to stand out: our dependence on technology. The
Interview by Allan Gardner Dasha Loyko is an artist and writer currently based in London. Having only just graduated from the Royal College of Art,
Text by CLOT Magazine The exhibition Sounds / Codes / Images: Audio Experimentation in Visual Arts is a historical tour of art that aims to
Text by CLOT Magazine L.E.V. Festival, one of Spain’s most acknowledged avant-garde festivals, opens a new chapter in its history. For the first time, the
Text by Tina Gorjanc Mary Maggic (Mary Tsang) is a Chinese-American artist and biohacker originally from Los Angeles. As her research for the past 3-4
Text by CLOT Magazine Tate Exchange, founded in 2016, is a platform at Tate Modern and Tate Liverpool that explores how art makes a difference
Interview by Allan Gardner Rosana Antolí’s work defies categorisation by media, moving between traditional and new media in order to understand and re-present the natural, rhythmic
Interview by Laura Netz Casey Reas writes software to explore emergent systems, and his work spans installation, works on paper, and live performance. From works
Interview by Allan Gardner Salomé Chatriot is a French-born artist and multimedia interaction designer currently living and working in Paris. Her practice is focused around
Text by CLOT Magazine Since January 1990, ArtFutura, the festival of Digital Culture and Creativity, has explored the most interesting projects and ideas that have
Text by CLOT Magazine South by Southwest (SXSW) is one of the biggest annual confluences of artists in the world, celebrating all things film, music,
Text by CLOT Magazine Gamma_PRO, the international conference on art and technology held in St. Petersburg, is back from July 11 to 12, 2019, with
Text by CLOT Magazine The Ars Electronica was born in 1979 with the premise of providing room for experimentation, evaluation and reinvention. Later in 1987,
Text by Michaela Büsse & Benjamin Burger Between 01.-03.03.2019 a group of 50 artists, creatives, activists and researchers gathered for the first edition of OTHERWISE–
Text by CLOT Magazine Choreographic Coding Lab Amsterdam 2019 is an experimental laboratory for dance and coding happening in Amsterdam from 26 to 30 May
Text by CLOT Magazine This 2019 marks the 30th anniversary of the World Wide Web and the 15th anniversary of The Mapping Festival, the Geneva-based