
Gill Gatfield’s ‘Habeas Corpus’: Networked Resistance in Posthuman Worlds
Text by Tamar Torrance From the outset, Gill Gatfield’s Habeas Corpus casts the body as arbiter and object: both the first point of contact and

Text by Tamar Torrance From the outset, Gill Gatfield’s Habeas Corpus casts the body as arbiter and object: both the first point of contact and

Text by CLOT Magazine From 21–25 October 2025, Leeds becomes a crucible for radical performance as TRANSFORM25 returns with a programme that feels both urgent

Interview by Hannah van den Elzen The interdisciplinary artist Miloš Trakilović primarily works with digital media, translating complex theoretical ideas into sensorial experiences. And this

Interview by Daniela Silva Operating in the liminal territory between art, technology, and architecture, Sasha Kojjio constructs sensorial environments where light, sound, and text converge

Text by Piotr Bockowski Mihai Barabancea’s photo-image practice is a testimony to his adventurous method of “Balkanic Futurism”, which aims beyond the art of photography,

Text by Hannah van den Elzen Hidden in the landscape of the Hoge Veluwe in Arnhem lies an architectural megastructure that has been open to

Text by Neshy Denton In certain aspects, when the invisible becomes tangible, the sole purpose of remaining unseen consequently proves the perspective’s big role in

Text by CLOT Magazine Since 2019, L.E.V., the International Festival of Audiovisual Creation of Gijón, has expanded its reach to Matadero Madrid (Spain). L.E.V. Matadero,

Interview by Neshy Denton There’s a moment where repetition becomes barely perceptible. It sort of stops being a pattern and reforms into the arms of

Interview by Maria Orciuoli In the seminal 1968 Artforum essay ‘Systems Esthetics,’ [1] Jack Burnham proposed a view of art as a tool that extends

Text by CLOT Magazine At the ICA in London, Geumhyung Jeong’s Under Construction presented, from September to December 2024, a world where the boundaries between humans and machines are

Text by Irem Erkin As the boundaries of art continue to expand, the LEV Festival symbolises the fusion of technology and creativity. Renowned for its

Text by Piotr Bockowski Aborted speculation, informed by a mutagenic array of strategies of online image creation. Do media contribute to changes in human reproductive

Text by Meritxell Rosell In a striking exploration of digital aesthetics, the Taiwanese art collective Simple Noodle Art delves into the intricate world of pixels

Text by Ana Prendes Within our bodies, a vibrant ecosystem of microorganisms fuels the physical movements and chemical breakdowns that generate ever-evolving sonic signatures unique

Text by CLOT Magazine The Alcove LTD audiovisual installation transforms the Aníbal Vázquez Park (Mieres, Asturias, Spain) into a place of interaction and discovery, directly

Text by Joe Banks Pulsing sub-bass audio suggests associations with the most primal anthropomorphic element in music – the rhythms of the human heart, with

Text by CLOT Magazine Since 2019, L.E.V., the International Festival of Audiovisual Creation of Gijon, has expanded to Matadero Madrid, an ample space in Madrid

Interview by Belen Vera Raya Felix Blume is a sound artist and engineer whose work blurs conventional boundaries, intertwining sound, space, and community into deeply

Interview by Lyndsey Walsh Danielle Brathwaite-Shirley is not here to make art for passive consumption. Based and living in Berlin, Brathwaite-Shirley uses the audience as