
COMMON TASK, a cybernetic Russian eutopia
[two_columns] [column1] [/column1] [column2] [/column2] [/two_columns] This November marks the 100th anniversary of the Bolshevik Revolution, the overthrow of the Provisional Government in Russia
[two_columns] [column1] [/column1] [column2] [/column2] [/two_columns] This November marks the 100th anniversary of the Bolshevik Revolution, the overthrow of the Provisional Government in Russia
[two_columns] [column1] [/column1] [column2] [/column2] [/two_columns] Barcelona has always been a place for design and experimentation. Digital design and visual arts have flourished in
Output, or poetry, from Ross Goodwin’s RNN-LSTM Machine learning – a method of data analysis that automates analytical model building, or the science of getting
[two_columns] [column1] [/column1] [column2] [/column2] [/two_columns] Liam O’Shea is a dedicated and passionate musician, promoter and DJ, who ‘was always attracted to the otherworldly sounds
[two_columns] [column1] (Vivorium, 2016) [/column1] [column2] (Vivorium, 2016) [/column2] [/two_columns] New York designer, artist and researcher Ali Schachtschneider is reinventing today’s fashion using biotechnology. As
[two_columns] [column1] (A Wave Farm Transmission Artist) [/column1] [column2] (Vex house, 2017) [/column2] [/two_columns] In The dreamer is still sleep – one of the
[two_columns] [column1] (Open Source Estrogen, Byron Rich+Mary Tsang, 2016) [/column1] [column2] (Open Source Estrogen, Byron Rich+Mary Tsang, 2016) [/column2] [/two_columns] In an era where
[two_columns] [column1] (Living Instruments, Yeast on stage, photo: Dave Swindells) [/column1] [column2] (Living Instruments, Mossophone prototype at LIFT,Geneva) [/column2] [/two_columns] In recent years artistic experimentation in
[two_columns] [column1] (The Gradual Progression, 2017, cover artwork by Tauba Auerbach) [/column1] [column2] (The Gradual Progression, 2017, promo image) [/column2] [/two_columns] There is a certain type
Text by CLOT Magazine Joe Davis is one of the seminal figures in Biomedia. His work has shocked and polarised the artistic community while at
[two_columns] [column1] (indivisible, mcs, 2016) [/column1] [column2] (Wroclaw, 2017) [/column2] [/two_columns] Looking at the artwork datum from 2017 by Japanese media artist Norimichi Hirakawa,
[two_columns] [column1] (Mycohive, Baum & Leahy, 2017) [/column1] [column2] (Mycohive, Baum & Leahy, 2017) [/column2] [/two_columns] I came across the work of Amanda Baum and Rose
[two_columns] [column1] [/column1] [column2] [/column2] [/two_columns] It is not easy to find artists, especially musicians, with a scientific background and even less frequent, that
[two_columns] [column1] Force Field, 2016 [/column1] [column2] Force Field, 2016 [/column2] [/two_columns] For Evelina Domnitch and Dmitry Gelfand, an artistic duo based in Amsterdam,
[three_columns] [column1] [/column1] [column2] [/column2] [column3] [/column3] [/three_columns] Dr. Charissa N. Terranova is a U.S. based writer and educator currently an Associate Professor of
[two_columns] [column1] (Second Skin, 2016) [/column1] [column2] (Second Skin, 2016) [/column2] [/two_columns] Technology is evolving fast, and we can only wonder whether we are
[two_columns] [column1] (Versum feat. Lea Fabrikant, 2017) [/column1] [column2] (Monolake, Robert Henke) [/column2] [/two_columns] Since he was a kid, programmer and audiovisual artist Tarik
[two_columns] [column1] [/column1] [column2] [/column2] [/two_columns] How are our senses linked to reality? Can we trust our senses? How does our brain parse out
[two_columns] [column1] (Electric Knife Orchestra, 2015) [/column1] [column2] (Eggsistential Angst, 2015) [/column2] [/two_columns] In the video accompanying the artwork Fish Hammer, a small goldfish
Words by CLOT Magazine Harm van den Dorpel is a Berlin-based Dutch conceptual artist regarded as a key figure in the post-internet art movement. Alongside with
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