redefining the wilderness

Saša Spačal’s TERRA XENOBIOTICA, delving into the soil life hidden beneath the ceaseless traffic of airports

By Annique Cockerill

Art to Break: The Stakes of Pervasive Digital Smoothness

By David Rollinson

on the world of inaudible sounds, gravitational waves & the interplay science/music

Jayne Dent’s imaginative odyssey & virtual voyage bridges ancient & futuristic sounds

‘Time Machine’, Hiroshi Sugimoto puts time at the centre of everything

By Juliette Wallace

VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | VISUAL ART | VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS |

Biomedia

The men with two brains: Guy Ben-Ary & Nathan Thompson discuss Music for a Surrogate Performer

Digital Culture

Installation: ‘Visual Bird Sounds’, the audiovisual installation curated by L.E.V. festival that brings fauna & flora of remote landscapes to Pozu Santa Bárbara in Mieres, Spain

Art Laboratory Berlin

Insight: Saša Spačal’s TERRA XENOBIOTICA, delving into the soil life hidden beneath the ceaseless traffic of airports

Interviews

RIEKO WHITFIELD, navigating the intersections & boundaries of music, mythology & diaspora

AI & A.Life

JIAYU LIU, redefining the wilderness

Computing Art

Art to Break: The Stakes of Pervasive Digital Smoothness

Audio & Visual

CLOT Magazine presents KAREN JUHL

Interviews

ANNIKA KAHRS, on the world of inaudible sounds, gravitational waves & the interplay science/music

Digital Culture

Video Premiere: Panghalina’s Glass Lake, unravelling layer upon layer of enchanting otherworldliness

Visual
Art

‘Time Machine’, Hiroshi Sugimoto puts time at the centre of everything in a metaphysical maypole dance

Visual Essay: The Letter Rack, a speculative exercise on the emergence of new spatial relationships

CLOT Magazine highlights & recommendations: OCTOBER 2023

‘UNLEASHED UTOPIAS: Artistic Speculations about Today & Tomorrow in the Metaverse’, exploring an ideal way for humans & technology to co-exist

New event series: Cluster Node x CLOT Magazine present PORTALS

Video Premiere: Alagoa’s ‘Something Somewhere Not Here Not There’, translating music into a crystalline cinematic world

Editors’ Pick: TFT expands into generative visuals with new work ‘Die Glocke’

Call for applications: MFA in Studio: Art and Technology / Sound Practices (AT/SP)

Atonal X100. Photo credit: Frankie Casillo

filip custic a face with projections

FILIP CUSTIC, reflecting the intersection of capitalism & technology on human existence

jordan edge blob colours digital

JORDAN EDGE, on exploring trans-species sonic fictions

Noemi gallardo performance colours insects reproduction

NAOMI RINCÓN GALLARDO, affective excess within ‘assemblages of entangled embodiments’

Humane Methods Fronte vacuo perfomance

Insight: ‘Humane Methods 6XXX6’ by Fronte Vacuo, radical multidisciplinary performances

human shape greay alien perimance

Editor’s pick: KUEENG by Ana Sting & Chloé Caillet, dance as a transforming spiritual practice

a fake man walks in a rope installation

Exhibition: ‘Useless Bodies?’ by Elmgreen & Dragset at Fondazione Prada

ceramics with plants and soil trimegisto

Insight: Explantes, exposing human vulnerability to encourage organ donation

the grudge image woman black

Obscene performing machines of WenZhe Li’s mental Eelness

Body Sculptures

Assembly Lines, Sougwen Chung (2022). Photo credit: Peter Butterworth.

Sound
Art

ANNIKA KAHRS, on the world of inaudible sounds, gravitational waves & the interplay science/music

Biennale Musica 2023: Highlights, the microscopic nature of sound

Seanaps festival: transdisciplinary approaches in experimental music & culture in Leipzig, Germany

woman dances in a red cosmos LEV festival

L.E.V. Gijón 2023: The Day After, strength & maturity

grand river aimee performing light purple

GRAND RIVER, materialising the complexity of intimacy through sound

screens projected at gallery flour green plastic eleni

ELENI IKONIADOU, vocalities entangled in nonhuman history

digital image of an event ADR5

Event: |ASDR|5, experimentations from London’s avant-garde sound community

black and white image of cello player

OKKYUNG LEE, improvised music experiments & cello-coloured compositions

More Mixes>

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