Visual
Art

‘Time Machine’, Hiroshi Sugimoto puts time at the centre of everything in a metaphysical maypole dance

Visual Essay: The Letter Rack, a speculative exercise on the emergence of new spatial relationships

CLOT Magazine highlights & recommendations: OCTOBER 2023

‘UNLEASHED UTOPIAS: Artistic Speculations about Today & Tomorrow in the Metaverse’, exploring an ideal way for humans & technology to co-exist

New event series: Cluster Node x CLOT Magazine present PORTALS

Video Premiere: Alagoa’s ‘Something Somewhere Not Here Not There’, translating music into a crystalline cinematic world

Editors’ Pick: TFT expands into generative visuals with new work ‘Die Glocke’

Call for applications: MFA in Studio: Art and Technology / Sound Practices (AT/SP)

FILIP CUSTIC, reflecting the intersection of capitalism & technology on human existence

JORDAN EDGE, on exploring trans-species sonic fictions

NAOMI RINCÓN GALLARDO, affective excess within ‘assemblages of entangled embodiments’

Insight: ‘Humane Methods 6XXX6’ by Fronte Vacuo, radical multidisciplinary performances

Editor’s pick: KUEENG by Ana Sting & Chloé Caillet, dance as a transforming spiritual practice

Exhibition: ‘Useless Bodies?’ by Elmgreen & Dragset at Fondazione Prada

Insight: Explantes, exposing human vulnerability to encourage organ donation

Obscene performing machines of WenZhe Li’s mental Eelness
Body Sculptures
Sound
Art

ANNIKA KAHRS, on the world of inaudible sounds, gravitational waves & the interplay science/music

Biennale Musica 2023: Highlights, the microscopic nature of sound

Seanaps festival: transdisciplinary approaches in experimental music & culture in Leipzig, Germany

L.E.V. Gijón 2023: The Day After, strength & maturity

GRAND RIVER, materialising the complexity of intimacy through sound

ELENI IKONIADOU, vocalities entangled in nonhuman history

Event: |ASDR|5, experimentations from London’s avant-garde sound community
