Text by Eleni Maragkou Equal parts invitation and dare, Lunchmeat Festival’s calling card is a cheeky mantra: See You Dancin’. This September, the festival returns
Text by Daniela Silva Who is really in control when a machine tells us what to do? In Situational Compliance, artist Matthew Biederman turns the
Interview by Jonathan Bergström Working across video, projection, large-scale installation, and a variety of media, Paul Tzanetopoulos has spent decades developing a practice rooted in
Text by Robert Barry From a distance, Jaleh Negari’s Pattern of Life Analysis II (2025–26) might almost be mistaken for a digital print. You see
Text by Maya Elimelech The jittery quilt we dream in, the home we share. Where is the place we all exist in together? A grandmother’s
Text by Belén Vera During the last decade, climate crisis has gradually shifted from being a recurring subject within contemporary art to becoming one of
Text by Dom Stevensson There’s a particular joy to walking through Braga. Its compact streets and layered architecture encourage a slower mode of attention, recalling
Text by Meritxell Rosell There is something quietly fierce about building a festival around fragility. In the current global state of affairs, which rewards hardness,
Text by Jacobo García There is a building in Gijón that has experienced several lives. A Francoist vocational school, an emblem of post-industrial reconversion, a
Text by Dom Stevensson INDEX Biennial returns to Braga this May for its third full edition from May 7 to 14, continuing a trajectory that
Text by Tuçe Erel Swamps and birds go together; when the swamp disappears, so do the birds.Annie Proulx’s Fen, Bog, and Swamp As Pauline Doutreluingne
Text by Daniela Silva There is a quiet clarity in the way Eric-Paul Riege, a Diné/Navajo artist, approaches material. Before anything becomes art, before it
Text by Àngels Miralda Kunstverein Arnsberg’s exterior space is distinctly removed from a traditional gallery setting. This hybrid indoor-outdoor venue is situated in a medieval
Text by CLOT Magazine MIRA Festival returns where sound and avant-garde culture exude. Once again, the festival transforms Fira Montjuïc into a living organism of
Text by Daniela Silva At Pozu Santa Bárbara, a disused mining shaft in the valley of Turón in northern Spain, the earth pulses with light.
Text by Tamar Torrance From the outset, Gill Gatfield’s Habeas Corpus casts the body as arbiter and object: both the first point of contact and
Text by CLOT Magazine From 21–25 October 2025, Leeds becomes a crucible for radical performance as TRANSFORM25 returns with a programme that feels both urgent
Interview by Hannah van den Elzen The interdisciplinary artist Miloš Trakilović primarily works with digital media, translating complex theoretical ideas into sensorial experiences. And this
Interview by Daniela Silva Operating in the liminal territory between art, technology, and architecture, Sasha Kojjio constructs sensorial environments where light, sound, and text converge
Text by Piotr Bockowski Mihai Barabancea’s photo-image practice is a testimony to his adventurous method of “Balkanic Futurism”, which aims beyond the art of photography,
