Text by Ruba Al-Sweel The following monologue is excerpted from ‘Plastic Pilgrims’ (2025), a film by Ruba Al-Sweel, which is written from the perspective of
Text by Sabina Oțelea Could a grain of sand be investigated independently of its encompassing totality? Could its origin be traced, its future mapped? The
Interview by Daniela Silva Working across AI, hacktivism, and biosemiotics, Helena Nikonole develops a practice that moves between artistic speculation and infrastructural experimentation. Her projects
Text by Joey Holder Social media platforms have become the primary infrastructure of public discourse, increasingly shaped by AI-driven systems whose logic operates beyond public
Text by Eddie Lohmeyer Field Report [03.001]: Post-Appalachia The following transcript and field observation serve as the initial entry in an ecological survey [03.001] of
Text by Rodrigo Guzman-Serrano In the first part of this article, I discussed the origins and evolution of Backslash at Cornell Tech, from its early
Text by Jonathan Stein The banality of evil is now a well-known concept, developed by philosopher Hannah Arendt, to express how ordinary people can commit
Text by Rodrigo Guzman-Serrano In 2023, I visited the exhibition Between Performance and Documentation: Contemporary Photography and Video from China [1], curated by Nancy Lin
Text by Davide Bevilacqua & Martina Pizzigoni In times of AI-aided war, what are the cultural forms that help us understand and perhaps challenge the
Text by Daniela Silva At Pozu Santa Bárbara, a disused mining shaft in the valley of Turón in northern Spain, the earth pulses with light.
Interview by Hannah van den Elzen The interdisciplinary artist Miloš Trakilović primarily works with digital media, translating complex theoretical ideas into sensorial experiences. And this
Interview by Daniela Silva Operating in the liminal territory between art, technology, and architecture, Sasha Kojjio constructs sensorial environments where light, sound, and text converge
Text by CLOT Magazine More than half of all data stored in clouds is no longer in use. In impenetrable quantities, data loses meaning and
Interview by Eleni Maragkou In uncertain times, punctuated by volatile temporalities as a result of digital mediation, the feeling of unrootedness can become overwhelming. Familiar
Interview by Daniela Silva Mario Klingemann is a pioneering figure in the intersection of technology and creativity, renowned for his innovative use of neural networks
Text by Irem Erkin Mere Mortals is a captivating sensory ballet blending music and dance in breathtaking visuals. The innovative production, launched by Tamara Rojo,
Text by CLOT Magazine Atletika gallery, located at the cultural centre SODAS 2123 in Vilnius, is a contemporary art space that showcases both emerging and
Text by Olya Karlovich There was a time when we anticipated the Internet would bring us new connections and allow us to find like-minded people
Text by Ed Harrington In their exhibition Moonquake, technological artist Dan Tapper and creative imaging specialist and archivist Laura Margaret Ramsey let people experience the
Interview by Juliette Wallace Art is connected with identity. An expression of yourself or your surroundings through creative means. Data, on the other hand, has
