Text by CLOT Magazine and Agostino Quaranta [Introduction by CLOT Magazine] This essay below was born in response to the third issue of tekhnē journal:
Text by Cecilia Scarfò Everything is recorded. If it is recorded, then it can be edited. If it can be edited, then the order, sense,
Text by Mila Azimonti Downtown LA dissolves into dusk. On a neighbourhood baseball field, children take their cuts, a dog tears across the outfield, families
Text by Atay Ilgun PARKS is a new recurring live programme at IKLECTIK, London. Well-settled into their new home in Peckham Levels, the independent cultural
Text by Meritxell Rosell A soft gesture crosses a ray of light streaming through a window; the grainy detail of the carpet where someone sits;
Text by Meritxell Rosell There is something quietly fierce about building a festival around fragility. In the current global state of affairs, which rewards hardness,
Text by Irem Erkin Materia Prima, in Latin ‘raw matter‘ or ‘first material,’ is the theme of the second issue of Tekhnē journal. Materia Prima
Text by Jacobo García There is a building in Gijón that has experienced several lives. A Francoist vocational school, an emblem of post-industrial reconversion, a
Interview by Neshy Denton Even as Abul Mogard has gradually drifted from the protective fiction that once defined his musical arena, it feels like that
Text by Dom Stevenson What begins as necessity – working without access, infrastructure, or permission – becomes something else: a way of engaging with tools,
Text by Six Minutes Past Nine This article launches a collaboration between Six Minutes Past Nine and CLOT Magazine: a series of research-driven texts within
Text by Meritxell Rosell A lone body moves through urban spaces, dark and dimly lit; the body’s gracile and strong gestures fold between control and
Text by Dom Stevenson The next mixtape instalment comes from Barcelona-based artist Roc Jiménez de Cisneros – one half of EVOL, the long-running project with
Text by Meritxell Rosell A pale face floats inside a sphere, lips moving and synching in syllables you can’t fully decipher. It feels urgent, insistent,
Text by Dom Stevenson The next mixtape instalment comes from Vanity Productions, the alias of Danish experimental musician Christian Stadsgaard, whose work navigates the fragile
Text by Iris Colomb Mike McShane makes sculptures out of aluminium, silicone, prosthetics, kebab boxes and air. Benjamin Whateley is a developer and computer musician
Text by Mila Azimonti Which feels more familiar: technocratic confidence or prophetic inevitabilism? When we speak about technology, we tend to fall into one of
Interview by Neshy Denton If there were to be a bridge between the random spontaneity of jazz and the metronomic precision of a clock, we’d
Text by Dom Stevenson At a moment when music videos often chase algorithmic circulation, Iljal moves slower and with greater structural intent. The work is
Text by Caterina Avataneo In recent years, a significant portion of contemporary art has turned to murky and confrontational atmospheres, whether through hybrid forms, ghostly
