‘EGO in the Shell’, how artist Emi Kusano explores memory, surveillance & identity in the age of generative AI

By Juliette Wallace

crafting anti-friendly webs for a more expressive Internet

Hicham Berrada,

between science & poetic transformation

Exploring how the multidisciplinary project ‘The Crossing’ examines the psychological & emotional impact of displacement

on traditional narratives & our perceptions of memory, history & time

VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | VISUAL ART | VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | VISUAL ART | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS | SOUND ART | BIOMEDIA | DESIGN | BODY SCULPTURES | ARCHITECTURES | DIGITAL COUTURE | COMPUTING ART | ARTIFICIAL INTELLIGENCE | ROBOTICS | KINETICS |

patio with sculpture silver

Biomedia

Swamping: On Curatorial Practices about Planetary Health & Wetlands

eric paul copver

Op & Ed

OJO| |ÓLǪ́, on Eric Paul Rieges’s living weavings

ALB sience week berlin 2025

Art Laboratory Berlin

CHRYSALIS. ARTISTS IN LABS, interdisciplinary experiences at Art Laboratory Berlin

Digital Culture

Insight: ‘Between the Layers of Petrified Silence’, making the imperceptible dimensions of our environment tangible

Body Sculptures

The Severed Wing, bed-bound artist Corinne explores the meaning of theatre & performativity

Design

Call for applications: MFA Art & Technology / Sound Practices at the School of the Art Institute of Chicago

Op & Ed

SEMIBREVE festival 2025: The day after, resonant lineages

Digital Culture

MIRA Digital Arts 2025, experimental visual art & sound: Highlights

Digital Culture

Insight: ‘FRAMERATE by ScanLabs – Pulse of the Earth’, planet as the storyteller

Digital Art

The Vital Story of Undying Darkness: Gothic Recurrence

transform25

TRANSFORM25: performance as collective memory – Highlights

Radical Rituals for Sustainable AI: From Lab to Forum with MUTEK AI Ecologies Lab

L.E.V. Matadero 2025: The Day After, when performance meets the machine

Insight: ‘Emerging Exits’, a sensory experience in one of the largest bunkers in the Netherlands

yiwn blue and purple spiral text

YEHWAN SONG, crafting anti-friendly webs for a more expressive Internet

semibreve theatre braga

SEMIBREVE 2025: Highlights from Braga’s immersive festival of sonic exploration, digital art & collaborative performance

fishes

Designing Sustainable AI: Inside the MUTEK AI Ecologies Lab (Part 2)

Atonal X100. Photo credit: Frankie Casillo

crux intuition mouth

Insight: CRUX, intuition behind hi-tek media performance art

Kick in the Cut Eyes

Insight: Kick in the Cut Eyes of Broken Blades, how cracks of metal & glass carry vital gestures

hollow

Insight: ‘Hollow Bodies’ video installation at Chronic Illness 23

Fierce Festival: celebrating Black, queer & marginalised bodies through contemporary dance & performance

Fierce Festival: celebrating Black, queer & marginalised bodies through contemporary dance & performance

FIBER Festival 2024

FIBER Festival 2024: On how ‘Outer/Body’ & ‘Neighbouring Frequencies’ highlights the interconnectedness of bodies with ecological, technological systems & sound art

filip custic a face with projections

FILIP CUSTIC, reflecting the intersection of capitalism & technology on human existence

jordan edge blob colours digital

JORDAN EDGE, on exploring trans-species sonic fictions

Noemi gallardo performance colours insects reproduction

NAOMI RINCÓN GALLARDO, affective excess within ‘assemblages of entangled embodiments’

Body Sculptures

Assembly Lines, Sougwen Chung (2022). Photo credit: Peter Butterworth.

Sound
Art

MIRA Digital Arts 2025, experimental visual art & sound: Highlights

carsten nicolai perspectiva

CARSTEN NICOLAI, experimentation, technology & dissolution

Phantom Islands Installation Detail

ANDREW PEKLER, the confluence of nature & digital soundscapes

RAFAEL ANTON IRISARRI caminando

RAFAEL ANTON IRISARRI, shaping soundscapes of memory, identity & transformation

99chants black sun

On how the record label & artistic platform 99CHANTS produce cultural artifacts in the form of images, text & sound

Fabrizio Vatieri wood

Insight: Fabrizio Vatieri explores the relationships between comfort & the global commodification of life

eep Wireless Festival

Insight: Reimagine, diving into the 23rd Annual Deep Wireless Festival of Radio & Transmission Art

counter-mapping

Exhibition: ‘counter-mapping’, how the Temporary Media Collective explores interzonal pathways through listening

sunday school jim janco

taroug mixtape

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